Links are shown to blog posts using the Reference material.

Part 1: Classical and religious art
Part 2: From the High Renaissance to Post-Impressionism
Part 3: Modern art and still life
Part 4: Portraiture and figure painting
Part 5: Inside, outside

Research for final assignment


 

Part one: Classical and religious art

Abbott, T. (2013?) Sir Paul Hasluck Foundation lecture. Cited in Baird, J. (2013) Don’t dismiss nation’s blemishes. The Sydney Morning Herald 27 April 2013 [online] Available from http://www.smh.com.au/comment/dont-dismiss-nations-blemishes-20130426-2ijsd.html#ixzz2Rl36SXnI [Accessed 28 April 2013] 28-Apr-2013

Adamson, G. (2007) Thinking through craft. Oxford: Berg. 17-Mar-2013

Andrews, B. (1999) Mr Pugin the Bigot. Paper read to the Newman Society, Hobart, Sunday 31 October 1999. [online] Available from http://www.puginfoundation.org/assets/Newman_Paper.pdf [Accessed 13 June 2013] 20-Jun-2013

[anon.] (1971) The compact edition of the Oxford English Dictionary. Oxford: Oxford University Press. 17-Mar-2013

Arlington, K. (2011) Courage can get pupils through academic blues The Sydney Morning Herald [on line] 19 August 2011. Available from http://www.smh.com.au/national/education/courage-can-get-pupils-through-academic-blues-20110818-1j0a2.html [Accessed 29 March 2013] 29-Mar-2013

Art Gallery Society of NSW [n.d.] Moderns Remastered: Sydney Encounters with Modernism, Modernity and Style Moderne. (flier for A Learning Curve Lecture Series) Sydney: Art Gallery Society of NSW. 26-May-2013

Australian Museum (2011) The Aboriginal Archaeological Collection [online] Available from: http://australianmuseum.net.au/The-Aboriginal-Archaeological-Collection. [Accessed 13 April 2013] 15-Apr-2013

Australian Museum (2012) Alexander the Great: 2000 years of treasures.. Sydney: Australian Museum. 20-Apr-2013

Berry, S. (2013) Perfect failures The Sydney Morning Herald [on line] 25 March 2013. Available from http://www.smh.com.au/lifestyle/life/perfect-failures-20130322-2gl10.html [Accessed 29 March 2013]. 29-Mar-2013

Brickhill, A. et al. (2013) Knit Knot Weave. Sydney: Gallery Lane Cove. 30-Mar-2013

Bright, M. (1979) A reconsideration of A. W. N. Pugin’s architectural theories. Victorian Studies. 22 (2), pp. 151 – 172. 20-Jun-2013

http://www.bvn.com.au/projects/national_library_of_australia_executive_offices_and_foyer_and_mezzanine_refurbishment.html?OpenDocument&idx=&pcat=&tpl=ext [Accessed 12 April 2013] 13-Apr-2013

Carlin, S. (2000) Elizabeth Bay House: A history & guide Glebe: Historic Houses Trust of New South Wales. 11-May-2013

Catholic Communications, Sydney Archdiocese (5 March 2013) 16 Magnificent New Statues Installed in Cathedral Reredos [online] Available from http://www.sydneycatholic.org/news/latest_news/2013/201335_1647.shtml [Accessed 7 June 2013] 10-June-2013

Clark, K. (1969) Civilisation London: British Broadcasting Corporation. 20-Jun-2013

Clark, N. (2013) Rembrandt painting in Devon abbey long thought to be pupil’s work is £20m a self-portrait. The Independent. 18 March 2013. http://www.independent.co.uk/arts-entertainment/art/news/rembrandt-painting-in-devon-abbey-long-thought-to-be-pupils-work-is-20m-a-selfportrait-8538283.html. [Accessed 22-Mar-2013]. 22-Mar-2013

Clement, R. (1997) “Medieval and Renaissance book production” Library Faculty & Staff Publications Utah State University. [online] Available at: http://works.bepress.com/richard_clement/3 [Accessed 21 June 2013] 22-Jun-2013

Curl, J.S. (2006) Oxford dictionary of architecture and landscape architecture (2nd edition). Oxford: Oxford University Press. 29-Mar-2013; 10-June-2013; Assignment 1.

Duggan, L. (2007) Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art by Eileen Chanin & Steven Miller Reviews in Australian Studies. 2 (4). [online] Available from http://www.nla.gov.au/openpublish/index.php/ras/issue/view/38 [Accessed 30 June 2013] 30-Jun-2013

Dunn, M. (2008) St James Anglican church Queens Square [Online]. Dictionary of Sydney website. Available from http://dictionaryofsydney.org/entry/st_james_anglican_church_queens_square [Accessed 10 May 2013] 11-May-2013

Dunn, M. (2008) ‘St Mary’s Cathedral’, Dictionary of Sydney [online]. Available from http://www.dictionaryofsydney.org/entry/entry/st_marys_cathedral [Accessed 10 June 2013] 10-June-2013

Freeland, J.M. (1972) Architecture in Australia Ringwood: Penguin Books Australia. 11-May-2013

Gunhouse, G. [n.d.] A Hypertext Book of Hours [online] Available at http://medievalist.net/hourstxt/bvm1mata.htm [Accessed 21 June 2013] 22-Jun-2013

Hale, R. (2010) Books of Hours at the Ransom Center; Inside a Book of Hours; and Three hundred years of Hours—at a glance Harry Ransom Centre, The University of Texas at Austin [online]. Available at http://www.hrc.utexas.edu/enews/2010/may/booksofhours.html; http://www.hrc.utexas.edu/enews/2010/june/booksofhours.html; http://www.hrc.utexas.edu/enews/2010/july/booksofhours.html [Accessed 22 June 2013] 22-Jun-2013

Hall, J. (2008) Dictionary of Subjects and Symbols in Art (Second Edition). Boulder: Westview Press. 20-Apr-2013; 22-Jun-2013

Harris, J. (2006) Art History: The Key Concepts. Abingdon: Routledge. 17-Mar-2013; 29-Mar-2013

Hastie, D. (2013) Why great narratives must be passed on. The Sydney Morning Herald 4 November 2011 [online] Available from: http://www.smh.com.au/opinion/society-and-culture/why-great-narratives-must-be-passed-on-20111103-1mxte.html#ixzz2RlBBjvkJ [Accessed 28 April 2013] 28-Apr-2013

Heritage Council of New South Wales (2008) St. Mary’s Catholic Cathedral and Chapter House,/em> [online] Available from http://www.environment.nsw.gov.au/heritageapp/visit/ViewAttractionDetail.aspx?ID=5055071# [Accessed 10 June 2013] 10-June-2013

Herman, M. (1954) The early Australian architects and their work Sydney: Angus and Robertson. 11-May-2013

Historic Houses Trust (2003) Hyde Park Barracks Museum Guidebook [online] Available from: http://www.hht.net.au/discover/highlights/guidebooks/hyde_park_barracks_museum_guidebook2 [Accessed 9 May 2013] 11-May-2013

Honour, H. and Fleming, J. (2009) A World History of Art (revised 7th edition). London: Laurence King. 11-Mar-201329-Mar-2013; 20-Apr-2013; 26-May-2013; 10-June-2013; 20-Jun-2013; 30-Jun-2013; Assignment 1.

J. Paul Getty Museum (uploaded 2012) Tracing the colors of ancient sculpture http://www.youtube.com/watch?v=7UsYHo5iarM [Accessed 29 March 2013] 29-Mar-2013

Kapoor, A. (2012) Anish Kapoor. Sydney: Museum of Contemporary Art Australia. 21-Mar-2013

Knott, M. (2013) Tony Abbott talks God and Western values behind closed doors [Online] 5 April 2013 Crikey.com Available from http://www.crikey.com.au/2013/04/05/tony-abbott-talks-god-and-western-values-behind-closed-doors/?wpmp_switcher=mobile [Accessed 28 April 2013] 28-Apr-2013

Macgregor, E. (2012) Introduction. Anish Kapoor. Sydney: Museum of Contemporary Art Australia. 21-Mar-2013

McDonald, J. (2012) In with the new http://www.smh.com.au/entertainment/art-and-design/in-with-the-new-20120621-20p1x.html [Accessed 6 July 2012]. 17-Mar-2013

McDonald, J. (2013) Out of the Darkness. The Sydney Morning Herald: Spectrum 2-3 Feb. pp 6-7. 15-Mar-2013

http://www.melbourne.vic.gov.au/ABOUTMELBOURNE/HISTORY/Pages/multiculturalhistory.aspx [Accessed 12 April 2013] 13-Apr-2013

Mitzevich, N. (2013) quoted in Art Gallery of South Australia (2013) Art Gallery unveils sumptuous new Melrose Wing of European Art [online] 10 January 2013. Available from http://www.artgallery.sa.gov.au/agsa/home/Media/docs/Current_media_releases/Melrose_Wing_MR_FINAL.pdf [Accessed 4 May 2013] 5-May-2013

Moore, R.I., (ed.) (1981) The Hamlyn Historical Atlas. London: The Hamlyn Publishing Group. 29-Mar-2013

http://www.museodelprado.es/en/the-collection/online-gallery/on-line-gallery/obra/the-fable-of-arachne-or-the-tapestry-weavers/. [Accessed 22-Mar-2013] 22-Mar-2013

New York Times (2013) Van Gogh’s ‘blue’ bedroom more a violet hue. The Sydney Morning Herald [online] 30 April 2013. Available from http://www.smh.com.au/entertainment/art-and-design/van-goghs-blue-bedroom-more-a-violet-hue-20130430-2iqm0.html 4-May-2013

NSW Land & Property Information (2013) History of Land and Property Information. [online] State of New South Wales through NSW Land and Property Information. Available from: http://www.lpi.nsw.gov.au/__data/assets/pdf_file/0006/169035/Brief_history_LPI.pdf [Accessed 12 April 2013] 13-Apr-2013

Open College of the Arts [n.d.] Assessment criteria for Theoretical Studies modules at OCA. Barnsley: Open College of the Arts.

Open College of the Arts (2010) Understanding Art 1: Western Art. Barnsley: Open College of the Arts (Document control number ua 1 wa121110) 4-May-2013

Pylyaev, M.I. [n.d.] Historial Bells [online] The Link of Times Foundation. Available from: http://www.danilovbells.com/bellsonrussia/publications_about_bells/historical_bells/ [Accessed 17 April 2013] 20-Apr-2013

Roksill, M. (1976) What is Art History? London: Thames and Hudson Ltd. 22-Mar-2013

Smith, S. (2013) Seeing the wood for the trees: Let me lead you up the garden path… Look: Art Gallery Society of New South Wales 0313, pp. 29-30. 11-Mar-2013

St Mary’s Cathedral [n.d.] About Us [online] Available from http://www.stmaryscathedral.org.au/about-us/index.html [Accessed 8 June 2013] 10-June-2013

St Mary’s Cathedral (2012) Crypt of St Mary’s Sydney: Catholic Archdiocese of Sydney 10-June-2013

Stalley, R. 1999) Early Medieval Architecture Oxford: Oxford University Press 10-June-2013; 13-June-2013

Summerson, J. (2002) The Classical Language of Architecture. London: Thames and Hudson. 13-Apr-2013; 11-May-2013

http://sydney.edu.au/museums/collections/nicholson.shtml [Accessed 9 March 2013]. 11-Mar-2013

http://www.tate.org.uk/art/artworks/turner-the-fall-of-an-avalanche-in-the-grisons-n00489/text-catalogue-entry [Accessed 14 Mar 2013]. 15-Mar-2013

http://theacropolismuseum.gr/peploforos/ [Accessed 29 March 2013] 29-Mar-2013

The Corpus of Romanesque Sculpture in Britain and Ireland [online] Available at http://www.crsbi.ac.uk/index.html [Accessed 12 June 2013] 13-June-2013

The Courtauld Institute of Art [n.d.] Pesellino: The Annunciation Diptych [online] Available at http://www.artandarchitecture.org.uk/stories/cumming_pesellino/cumming_pesellino04.html [Accessed 22 June 2013] 22-Jun-2013

The J. Paul Getty Museum (2002) The Medieval Bestseller: Illuminated Books of Hours [online] Available at http://www.getty.edu/art/exhibitions/books/ [Accessed 21 June 2013] 22-Jun-2013

The Metropolitan Museum of Art [n.d.] Hours of Francis I [online] Available from http://www.metmuseum.org/collections/search-the-collections/120058933?img=4 [Accessed 21 June 2013] 22-Jun-2013

The Trustees of the British Museum [n.d.] Volute Krater (Registration number: 1836,0224.164) [online] The Trustees of the British Museum. Available from: http://www.britishmuseum.org/research/search_the_collection_database/search_object_details.aspx?objectid=399551&partid=1&searchText=volute+krater&fromADBC=ad&toADBC=ad&numpages=10&orig=%2fresearch%2fsearch_the_collection_database.aspx&currentPage=5 [Accessed 17 April 2013] 20-Apr-2013

Verstraeten, G. in Brickhill, A. et al. (2013) Knit Knot Weave. Sydney: Gallery Lane Cove. 30-Mar-2013

Vines, V. (1993) “The Daily Round, the Common Task” Three Books of Hours in the State Library of Victoria The La Trobe Journal No 51 & 52 1993 [online] Available from http://www.slv.vic.gov.au/latrobejournal/issue/latrobe-51-52/t1-g-t10.html#n87 [Accessed 20 June 2013] 22-Jun-2013
(6) The Metropolitan Museum of Art [n.d.] Hours of Francis I [online] Available from http://www.metmuseum.org/collections/search-the-collections/120058933?img=4 [Accessed 21 June 2013] 22-Jun-2013

Warrell, I. (ed) (2013) Turner from the Tate: The making of a master. London: Tate Publishing 4-May-2013

Welch, E. (1997) Art in Renaissance Italy. Oxford: Oxford University Press. 30-Jun-2013

Wilson, N. (ed.) (2006) Encyclopedia of Ancient Greece. New York: Routledge. 20-Apr-2013

Wolfe, T. (1975) The Painted Word, quoted in Ellsworth-Jones, W. Never mind the theory… http://www.smh.com.au/entertainment/art-and-design/never-mind-the-theory–20120629-21792.html [Accessed 6 July 2012]. 17-Mar-2013

Yates, N. (1987) Pugin & the medieval dream. History Today. 37 (9), pp. 33-40. 20-Jun-2013

 

Part two: From the High Renaissance to Post-Impressionism

Astbury, L. (1989) Sunlight and shadow: Australian impressionist painters 1880 – 1900. Sydney: Bay Books 11-Nov-2013

Basso, M. [n.d.] About “The Battle of Isandlwana (print)” [online] Available from http://www.southafricanartists.com/showartist.asp?WorkID=62076 (Accessed 17-Oct-2013) 24-Oct-2013

Benson, L. (2012) A Brief History of The Crossing of the Red Sea In: Villis, C. et al Poussin: the Crossing of the Red Sea: a conservation project Melbourne: The Council of Trustees of the National Gallery of Victoria. pp. 1-5. 7-Sept-2013

Bomford (2007) Rough Manners: Reflections on Courbet and Seventeenth-Century Painting. In papers from the Symposium Looking at the Landscapes: Courbet and Modernism Held at the J. Paul Getty Museum on March 18, 2006. Los Angeles: J. Paul Getty Trust [Online] Available from http://www.getty.edu/museum/symposia/pdfs_courbet/courbet_bomford.pdf (Accessed 15-Oct-2013) 31-Oct-2013

Boyle, M. (2012) Do you like my pics?: Exhibition and exegesis as self reflective study. Master of Education thesis. Victoria University. [online] Available from: http://vuir.vu.edu.au/21477/1/Mark_Boyle.pdf (Accessed 12-Sept-2013) 13-Sept-2013

Brookner, A (1980) Jacques-Louis David. London: Chatto & Windus 5-Oct-2013; 10-Oct-2013

Campbell, S.J. (2003) “Europa,” in Eye of the Beholder, edited by Alan Chong et al. (Boston: ISGM and Beacon Press pages 103-107). [online] Available from http://www.gardnermuseum.org/collection/artwork/3rd_floor/titian_room/europa [Accessed 6 July 2013] 8-July-2013; 28-Jul-2013

Capon, E. (2013) The Art of Australia Television series produced by Serendipity Productions and Wall to Wall Media. [Online] Available from www.abc.net.au/arts/artofaustralia/ (Accessed 10-Nov-2013) 11-Nov-2013

Chandler, J., Gilmartin, K. (ed) (2011) Romantic Metropolis: The Urban Scene of British Culture, 1780-1840, Cambridge: Cambridge University Press. [extract only online] Available from http://books.google.com.au/books?id=P-Kqiar7kdYC&pg=PA195&lpg=PA195&dq=turner+loutherbourg&source=bl&ots=2iKJyGN2f9&sig=3YG8hDE7sh1FSTgteT8dI1brPms&hl=en&sa=X&ei=zw1XUpyJOcyilQXayYGoCg&ved=0CD8Q6AEwBA#v=onepage&q=turner%20loutherbourg&f=false (Accessed 10-Oct-2013) 12-Oct-2013

Chong, WH (2011) Self-portraits: why do it? (Rembrandt in NGV’s “Naked Face”) Crikey 8 February 2011 [online] Available from: http://blogs.crikey.com.au/culture-mulcher/2011/02/08/looking-at-rembrandt-looking-at-himself-naked-face-at-ngv/ Accessed 12-Sept-2013) 13-Sept-2013

Cifani, A. and Monetti, F. (2000) The dating of Amedeo dal Pozzo’s paintings by Poussin, Pietro da Cortona and Romanilli. Burlington Magazine 142, September 2000, pp. 561-64. Cited in Benson, L. (2012) A Brief History of The Crossing of the Red Sea In: Vissis, C. Poussin: the Crossing of the Red Sea: a conservation project Melbourne: The Council of Trustees of the National Gallery of Victoria, p. 35. 7-Sept-2013

Cole, J (2007) ‘Cultural Clientelism and Brokerage Networks in Early Modern Florence and Rome: New Correspondence between the Barberini and Michelangelo Buonarroti the Younger’, Renaissance Quarterly, 60, 3, pp. 729-788, Academic Search Alumni Edition, EBSCOhost, viewed 14 September 2013. 19-Sept-2013

Courbet, G (1855) The Realist Manifesto Cited in Rubin, J (1997) Courbet. London: Phaidon pp. 157-158 31-Oct-2013

David, S. (2011) Zulu: The True Story [online] Available from http://www.bbc.co.uk/history/british/victorians/zulu_01.shtml (Accessed 17-Oct-2013) 24-Oct-2013

de Nanteuill, L. (1990) Jacques-Louis David. London: Thames and Hudson 5-Oct-2013

Diderot, D. ([n.d.]) Salons, I, 225-26 cited in Fried, M. (1980) Absorption and Theatricality: Painting and Beholder in the Age of Diderot Berkeley: University of California Press [online] Available from http://books.google.com.au/books?id=p71TMs7XOUgC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false (Accessed 6 October 2013) 10-Oct-2013

Eisenman, S.F. (1989), “Seeing Seurat Politically” In Art Institute of Chicago Museum Studies 14 (2), pp. 210-221+247-249. [online] Available from http://www.jstor.org/ (Accessed 12-November-2013) 14-Nov-2013

Fénéon, F. (1887) “Impressionnisme,” Emancipation sociale, 3 April 1887, reprinted in Kapos, M (ed.) (1991) The Impressionists: A retrospective. London: Hugh Lauter Levin Associates, pp. 219 – 221 14-Nov-2013

Fernier, J (1998) “The Natures of Courbet”, in Courbet: Later Paintings, New York: Salander-O’Reilly Galleries, LLC. 31-Oct-2013

Fried, M. (1980) Absorption and Theatricality: Painting and Beholder in the Age of Diderot Berkeley: University of California Press [online] Available from http://books.google.com.au/books?id=p71TMs7XOUgC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false (Accessed 6 October 2013) 10-Oct-2013

Galbally, A. (2008) A remarkable friendship: Vincent van Gogh and John Peter Russell. Victoria: The Miegunyah Press 11-Nov-2013

Garfinkle, ES (1999) The Barberini and the New Christian Empire: A study of the History of Constantine tapestriesby Pietro da Cortona. Master of Arts thesis. McGill University. [online] Available from http://www.collectionscanada.gc.ca/obj/s4/f2/dsk1/tape2/PQDD_0034/MQ64150.pdf (Accessed 18-Sept-2013) 19-Sept-2013

Garrad, MD (1989) Artemisia Gentileschi: The image of the female hero in Italian baroque art Princeton: Princeton University Press 19-Sept-2013

Goosens, M (2001) “Schilders en de markt: Haarlem 1605 – 1635,” PhD diss., Leiden University, 2001. In National Gallery of Art (2007) Painting in the Dutch Golden Age: A profile of the seventeenth century: A resource for teachers Washington: Board of Trustees, National Gallery of Art, Washington [online] Available at http://www.nga.gov/content/dam/ngaweb/Education/learning-resources/teaching-packets/pdfs/dutch_painting.pdf (Accessed 21-Sept-2013) 25-Sept-2013

Hall, J. (2008) Dictionary of Subjects and Symbols in Art (Second Edition). Boulder: Westview Press. 23-July-2013; 28-Jul-2013; 19-Sept-2013

Hamilton, C. and Wright, J. (1993) The Beginnings of Zulu identity, in Indicator South Africa, (10, 3) pp 43 – 64. [online] Available from http://opendocs.ids.ac.uk/opendocs/bitstream/handle/123456789/1905/Indicator%20%20Vol%20%2010.3.pdf?sequence=1 (Accessed 17-Oct-2013) 24-Oct-2013

Hansen, D. (2007) “National Naturalism” In Lane, T. (2007) Australian Impressionism. Melbourne: National Gallery of Victoria. 11-Nov-2013

van Helsdingen, H.W. (2971) Poussin’s Drawings for the Crossing of the Red Sea. Simiolus: Netherlands Quarterly for the History of Art 5(1), pp. 64-74. [online] Available from: http://www.jstor.org/stable/3780367 [Accessed 5/9/2013] 7-Sept-2013

Honour, H. and Fleming, J. (2009) A World History of Art (revised 7th edition). London: Laurence King. 23-July-2013; 28-Jul-2013; 8-Aug-2013; 5-Oct-2013; 24-Oct-2013; 31-Oct-2013; 11-Nov-2013

Hughes, R. (1994) ‘Decorum and fury’, Time, 144(23), p. 86, Academic Search Alumni Edition, EBSCOhost, viewed 7 September 2013. 7-Sept-2013

Jones, J. (2013) Time to revisit Rembrandt’s The Night Watch, a glowing symbol of democracy The Guardian [online] 6 May 2013. Available from: http://www.theguardian.com/commentisfree/2013/may/06/rembrandt-the-night-watch-netherlands-rijksmuseum. (Accessed 2 October 2013) 5-Oct-2013

Kline, AS (translator) (2000) Ovid’s Metamorphoses University of Virginia [online] Available from http://ovid.lib.virginia.edu/trans/Ovhome.htm#askline [Accessed 4 July 2013] 8-July-2013; 28-Jul-2013

Lane, T. (2007) Australian Impressionism. Melbourne: National Gallery of Victoria. 11-Nov-2013

Mangan, J. (2004) The bequest of a century The Age 12 January 2004 [online] Available from: http://www.theage.com.au/articles/2004/01/11/1073769451690.html (Accessed 13-Sept-2013) 13-Sept-2013

Marschall, S (2008) Zulu Heritage between Institutionalized Commemoration and Tourist Attraction (Abstract) In Visual Anthropology (21, 3), 2008 (Abstract only online) Available from http://dx.doi.org/10.1080/08949460801986236 (Accessed 20-Oct-2013) 24-Oct-2013

Maslan, G. (2006) Fakery in the frame The Age 12 August 2006 [online] Available from: http://www.theage.com.au/news/entertainment/fakery-in-the-frame/2006/08/11/1154803098685.html (Accessed 13-Sept-2013) 13-Sept-2013

Mataloni, C. [n.d.] Pallade e Aracne.Cattedra di Iconografia e Iconologia del Dipartimento di Storia dell’Arte della Facolté di Scienze Umanistiche dell’Università di Roma [online] Available from http://www.iconos.it/index.php?id=1831 [Accessed 6 July 2013] 8-July-2013

Mthethwa, T. [n.d.] We, “The Children of Isandlwana”: Isandlwana and Rorke’s Drift Revisited [online] Available from http://www.rorkesdriftvc.com/zulu_perspective.htm (Accessed 15-Oct-2013) 24-Oct-2013

National Gallery of Art (2007) Painting in the Dutch Golden Age: A profile of the seventeenth century: A resource for teachers Washington: Board of Trustees, National Gallery of Art, Washington [online] Available at http://www.nga.gov/content/dam/ngaweb/Education/learning-resources/teaching-packets/pdfs/dutch_painting.pdf (Accessed 21-Sept-2013) 25-Sept-2013

National Gallery of Victoria (2007) Head of a Man Background Information [online] Available from: http://www.theage.com.au/ed_docs/ngv.pdf (Accessed 13-Sept-2013) 13-Sept-2013

National Gallery of Victoria ([n.d.]) 9 by 5 Impression Exhibition [online] Available from http://www.ngv.vic.gov.au/australianimpressionism/education/insights_9by5.html (Accessed 10-Nov-2013) 11-Nov-2013

O’Connor, DP (2006), ‘Imperial Strategy and the Anglo–Zulu War of 1879′, Historian, 68, 2, pp. 285-304, Academic Search Alumni Edition, EBSCOhost, viewed 17 October 2013. 24-Oct-2013

Perkin, C. (2006) Oh! We’ve lent the Rembrandt The Age 25 February 2006 [online] Available from: http://www.theage.com.au/news/arts/oh-weve-lent-the-rembrandt/2006/02/24/1140670217165.html (Accessed 13-Sept-2013) 13-Sept-2013

Pissarro, C. (1886) letter quoted in Kapos, M (ed.) (1991) The Impressionists: A retrospective. London: Hugh Lauter Levin Associates, p.219 14-Nov-2013

Pissarro, C. (1896) letter quoted in Kapos, M (ed.) (1991) The Impressionists: A retrospective. London: Hugh Lauter Levin Associates, p.239 14-Nov-2013

Pullman, P. (2009) talk on A Bar at the Folies-Bergère. Recorded as part of Picture This at Somerset House – Writers’ talks in the Courtauld Gallery. [online] Available from http://www.theguardian.com/books/audioslideshow/2009/feb/22/art-philippullman (Accessed 9-Nov-2013) 11-Nov-2013

Rackham, B (1963) Italian Maiolica 2nd edition. (London: Faber and Faber) 28-Jul-2013

Roberts, W. (1989) Jacques-Louis David, Revolutionary Artist: Art, Politics, and the French Revolution. Chapel Hill: The University of North Carolina Press. 5-Oct-2013; 10-Oct-2013

Roksill, M. (1976) What is Art History? London: Thames and Hudson Ltd. 8-July-2013

Rubin, J (1997) Courbet. London: Phaidon 31-Oct-2013

Schama, S. (2006) Simon Schama’s power of art Cited in Warrell, I (2013) “A Disaster at Sea, also known as The Wrecked Female Convict Ship, the Amphitrite: Women and Children Abandoned in a Gale” in Turner from the Tate: The making of a master, London: Tate Publishing, p.197. 12-Oct-2013

Schnapper, A. (1982) David. Cited in Roberts, W. (1989) Jacques-Louis David, Revolutionary Artist: Art, Politics, and the French Revolution. Chapel Hill: The University of North Carolina Press, p. 51. 5-Oct-2013

Schwartz, C. (1998) “Courbet: The Late Years”, in Courbet: Later Paintings, New York: Salander-O’Reilly Galleries, LLC. 31-Oct-2013

Shackelford, GTM (2008) “Monet’s Technique” In Shackelford, GTM Monet and the Impressionists. Sydney: Art Gallery of NSW. 11-Nov-2013

Shaw, RW (2003) Agmine facto: Rampant rhetoric in Aeneid I [online] Available from http://repository.up.ac.za/bitstream/handle/2263/15048/Shaw_Agmine(2003).pdf (Accessed 19-Sept-2013) 19-Sept-2013

Signac (1891) In La Révolt p. 4. cited in Herbert and Herbert 1960 p.480, cited in Eisenman, S.F. (1989), “Seeing Seurat Politically” In Art Institute of Chicago Museum Studies 14 (2), p. 213 14-Nov-2013

Sikes, EE (1920) Hero & Leander: Translated from the Greek of Musaeus (London: Methuen) [online] Available at http://www.archive.org/stream/heroandleander00musauoft#page/2/mode/2up [Accessed 10 July 2013] 23-July-2013

Smith, B. (1945) Place, taste and tradition: A study of Australian art since 1788. Sydney : Ure Smith. Cited in Lane, T. (2007) Australian Impressionism. Melbourne: National Gallery of Victoria (p. 18). 11-Nov-2013

Stair Sainty Gallery [n.d.] REGNIER, NICOLAS: MAUBERGE 1591 – VENICE 1667 [online] Available from http://www.europeanpaintings.com/paintings/regnier-nicolas/ [Accessed 23 July 2013] 23-July-2013

Swart, G. [n.d.] Isandlwana Monument [online] Available from http://gertswartsculptor.homestead.com/Isandlwana.html (Accessed 15-Oct-2013) 24-Oct-2013

The National Gallery ([n.d.]) Guide to Impressionism: Modern Life ([online]) Available from www.nationalgallery.org.uk/paintings/learn-about-art/guide-to-impressionism/guide-to-impressionism/*/viewPage/2 (Accessed 13-November-2013) 14-Nov-2013

The Ovid Collection at the University of Virginia Electronic Text Center (http://ovid.lib.virginia.edu/index.html [Accessed 5-July-2013]) 8-July-2013

Toman, R. (ed) (2004) Baroque: Architecture. Sculpture. Painting (English edition) Königswinter: Könemann 19-Sept-2013

Trevelyan, GM (1964) Illustrated English Social History: 3. The Eighteenth Century Harmondsworth: Penguin. 10-Oct-2013

University of Oregon (2012) Harper presides over sneak preview of restored tapestries [online] Available from http://aaa.uoregon.edu/node/2061 (Accessed 17-Sept-2013) 19-Sept-2013

University of South Carolina [n.d.] [online] Available from http://library.sc.edu/spcoll/hist/tennis/enlight.html (Accessed 29-Sept-2013) 5-Oct-2013

Van Gogh Museum (2007) Summary Report: Examination of Portrait of a man [online] Available from: http://www.theage.com.au/ed_docs/ngv.pdf (Accessed 13-Sept-2013) 13-Sept-2013

Vaughn, G. (2007) “Some reflections on defining Australian Impressionism” In Lane, T. (2007) Australian Impressionism. Melbourne: National Gallery of Victoria. 11-Nov-2013

Venning, B (1985), ‘A MACABRE CONNOISSEURSHIP: TURNER, BYRON AND THE APPREHENSION OF SHIPWRECK SUBJECTS IN EARLY NINETEENTH-CENTURY ENGLAND’, Art History, 8, 3, pp. 303-319, Academic Search Alumni Edition, EBSCOhost, viewed 10 October 2013. 12-Oct-2013

Villis, C. et al (2012) Poussin: the Crossing of the Red Sea: a conservation project Melbourne: The Council of Trustees of the National Gallery of Victoria. 7-Sept-2013

Warrell, I (2013) “A Disaster at Sea, also known as The Wrecked Female Convict Ship, the Amphitrite: Women and Children Abandoned in a Gale” in Turner from the Tate: The making of a master, London: Tate Publishing. 12-Oct-2013

Watson, L. (2012) Articulating desire. Doctor of Creative Arts thesis. University of Wollongong. [online] Available from: http://ro.uow.edu.au/theses/3806 [Accessed 8-Sept-2013] 13-Sept-2013

Weinberg, H. Barbara. (2004) “American Impressionism”. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. [online] Available from http://www.metmuseum.org/toah/hd/aimp/hd_aimp.htm. (Accessed 9-Nov-2013) 11-Nov-2013

Wendt, MK (2008) Jacques-Louis David: Artistic Interpretation in Tumultuous Times Anistoriton Journal [online] 11(2) Available from http://www.anistor.gr/english/enback/2008_2s_Anistoriton.pdf (Accessed 27-Sept-2013) 5-Oct-2013

Wilson, T. (1987) Ceramic art of the Italian Renaissance (London: British Museum Publications) 28-Jul-2013

Wolseley, G. (1880) entry for 19 March 1880 in Prof. Adrian Preston (ed.) Sir Garnet Wolseley’s South African Journal 1880, Cape Town 1973, as quoted in Knight, I. [n.d.] ‘Wood Tells Me’;
The Quiet Assassination of John Chard’s Character
[online] Available from http://www.anglozuluwar.com/content/files/2010110813454630000100/The%20Quiet%20Assassination%20of%20John%20Chards%20Character.pdf (Accessed 24-Oct-2013) 24-Oct-2013


 

Part three: Modern art and still life

ABC (Australian Broadcasting Corporation) (2009) “Desert Dauber” On Landline [online] Available from http://www.abc.net.au/landline/content/2008/s2670983.htm (Accessed 21-Feb-2014) 22-Feb-2014

Adamson, G. (2007) thinking through craft, Oxford: Berg. 27-Dec-2013

Adhémar, H. (1983) The Jeu de Paume Museum . Paris: Ministère de la Culture : Editions de la réunion des Musées Nationaux. 30-Jan-2014

Ah Kee, V. (2009) Australia at the Venice Biennale 2009: Cant Chant (wegrewhere), Once Removed – Australian Group Show, The Ludoteca, Castello, La Biennale Di Venezia 2009: An interview with Venon Ah Kee Artist for the Australian Council of the Arts 2009. [online] Available from Fine Eye Productions http://fineeyeproductions.com/video-archive-venice-biennale-vernon-ah-kee-2009/ (Accessed 4-Jan-2014) 5-Jan-2014

Ah Kee, V. (2011) The Black See Artists Panel, Cairns Indigenous Art Fair, KickArts Contemporary Arts, 20-August-2011. [online] Available from http://www.youtube.com/watch?v=onXB7s3R-tk (Accessed 1-Jan-2014) 5-Jan-2014

Ah Kee, V. (2012) proppaNOW Artists: Melbourne Conversations at the Melbourne Indigenous Arts Festival, 2012 Artists Vernon Ah Kee, Richard Bell, Tony Albert and Laurie Nielson; Host Kim Kruger; 12-February-2012 [online] Available from http://www.youtube.com/watch?v=wpwM71qMNT0 (Accessed 1-Jan-2014) 5-Jan-2014

Ah Kee, V. (2013) Insurgence at Museum of Australian Democracy at Old Parliament House proppaNOW Artist Group blog [online] Available from http://proppanow.wordpress.com/2013/11/18/insurgence-at-museum-of-australian-democracy-at-old-parliament-house/ (Accessed 3-Jan-2014) 5-Jan-2014

Anfam, D. (1990) Abstract Expressionism. London: Thames & Hudson 26-Dec-2013; 27-Dec-2013

Art Gallery of New South Wales, ([n.d.]) Still life with imaginary view, (circa 1645-circa 1650) by Laurens Craen :: The Collection :: Art Gallery NSW [on line] Available from http://www.artgallery.nsw.gov.au/collection/works/552/ (Accessed 12-Jan-2014) 13-Jan-2014

Babington, J. (2012) Roy Lichtenstein: Pop remix. Canberra: NGA Publishing National Gallery of Australia. 7-Feb-2014

Bell, R. (2010) Quoted in publicity material for Insurgence exhibition, Museum of Australian Democracy, 22-Oct-2013 to 11-Mar-2014. 5-Jan-2014

Bell, R. (2012) proppaNOW Artists: Melbourne Conversations at the Melbourne Indigenous Arts Festival, 2012 Artists Vernon Ah Kee, Richard Bell, Tony Albert and Laurie Nielson; Host Kim Kruger; 12-February-2012 [online] Available from http://www.youtube.com/watch?v=wpwM71qMNT0 (Accessed 1-Jan-2014) 5-Jan-2014

Braque, G. ([n.d.]) Cited in Honour, H. and Fleming, J. (2009) A World History of Art (revised 7th edition). London: Laurence King, p. 785. 7-Feb-2014

Braque ([n.d.] a) Cited Mullins, E. (1968) The Art of Georges Braque New York: Harry N. Abrams Inc, p. 41 9-Feb-2014

Braque ([n.d.] b) Cited Mullins, E. (1968) The Art of Georges Braque New York: Harry N. Abrams Inc, p. 55 9-Feb-2014

Braque ([n.d.] c) Cited in Lieberman, A. (1960) The artist in his studio London: Thames & Hudson, p.136 9-Feb-2014

Capon, E. (1995) “Introduction” in Freeman, J. (1995) Fauves. Sydney: Art Gallery of New South Wales 8-Dec-2013

Copplestone, T. (1998) Paul Cézanne. Kent: Grange Books 30-Jan-2014

Cumming, R. ([n.d.]) Cézanne: Still Life with Plaster Cast The Courtauld Institute of Art Art and Architecture Web Site [on-line] Available from http://www.artandarchitecture.org.uk/stories/cumming_cezanne/cumming_cezanne02.html (Accessed 27-Jan-2014) 30-Jan-2014

Danchev, A. (editor and translator) (2013) The Letters of Paul Cézanne Los Angeles: The J. Paul Getty Museum
Dean, C. (1991) Cézanne. London:Phaidon Press 20-Jan-2014 28-Feb-2014

De Jonckheere Gallery ([n.d.]) Laurens Craen Still life with fruit, glass of white wine and lobster [on line] Available from http://www.dejonckheere-gallery.com/en/Craen_Laurens-5.html?m=1&id=25 (Accessed 11-Jan-2014) 13-Jan-2014

de Kooning, W. (1972), quoted in Anfam, D. (1990) Abstract Expressionism. London: Thames & Hudson, p. 179. 27-Dec-2013

Dempsey, A. (2010) Styles, schools and movements: The essential encyclopaedic guide to modern art. London: Thames & Hudson. 8-Dec-2013; 30-Jan-2014

Denvir, B. (1975) Fauvism and Expressionism. London: Thames and Hudson 8-Dec-2013; 27-Dec-2013

Deslandes, G. (2013) Aix Marks the Spot: Post-Impressionists, Rodin, Photography, Contemporary Art [online] Available from http://geralddeslandeslongerstuff.tumblr.com/post/69168538922/aix-marks-the-spot-post-impressionists-rodin (Accessed 2-Mar-2014)

Edmundson and Neale (2007) “Learning to be Proppa: Aboriginal Artists’ Collective, proppaNOW” in Turner and Williams (2007) Thresholds of Tolerance, Canberra: Research School of Humanities and School of Art Gallery, Australian National University pp. 29 – 38 [online] Available from http://www.anu.edu.au/hrc/research/ThresholdsofTolerance/Thres_Tol_cat.pdf (Accessed 4-Jan-2014) 5-Jan-2014

Elderfield, J. (1976) The “wild beasts” : Fauvism and its affinities. New York : Museum of Modern Art 8-Dec-2013

Freeman, J. (1995) Fauves. Sydney: Art Gallery of New South Wales 8-Dec-2013

Fried, M. (1965) “Jackson Pollock” in Art Forum 4 (1), September 1965 pp. 14-16. Reprinted in White, A. (ed.) (2002) Jackson Pollock’s Blue Poles. Canberra: National Gallery of Australia p.24. 26-Dec-2013

Gage, J. (2006) Colour in Art. London: Thames & Hudson 8-Dec-2013

Golding, J. (1990) “Braque and the space of still life” In South Bank Centre (1990) Braque: Still lifes and interiors. London: South Bank Centre Publications, pp. 9 – 26. 9-Feb-2014

Griffen, P. (2011) in and out of abstraction Sydney: la Fabrique. 22-Feb-2014

Hall, J. (2008) Dictionary of subjects and symbols in art. Boulder: Westview Press 11-Jan-2014

Hamilton, R. (1957) ‘Letter to Peter and Alison Smithson’, Cited in Babington, J. (2012) Roy Lichtenstein: Pop remix. Canberra: NGA Publishing National Gallery of Australia, p. 16. 7-Feb-2014

Herd, J. (2013) From information supplied at Insurgence exhibition 5-Jan-2014

Honour, H. and Fleming, J. (2009) A World History of Art (revised 7th edition). London: Laurence King.26-Dec-2013; 27-Dec-2013; 5-Jan-2014; 7-Feb-2014

Hoogsteder Consultancy Service, ([n.d.] a) Light in a Dark Niche [on line] Available from http://www.hoogsteder.com/publications/journals/journal-10/dark-niche (Accessed 11-Jan-2014) 13-Jan-2014

Hoogsteder Consultancy Service, ([n.d.] b) [on line] Dark niche – after restoration Available from http://www.hoogsteder.com/publications/journals/journal-10/dark-niche/craen-1 (Accessed 11-Jan-2014) 13-Jan-2014

Hookey, G. (2006) “Terrorism and Terraism” In borderlands e-journal 5 (1) [online] Available from http://www.borderlands.net.au/vol5no1_2006/hookey_text.htm (Accessed 5-Jan-2014) 5-Jan-2014

Hookey, G. ([n.d.]) Gordon Hookey: Terraist (video). Carbon Media [online] Available from http://vimeo.com/68745526 (Accessed 5-Jan-2014) 5-Jan-2014

“Jackson Pollock” [Documentary] Produced and Directed by Kim Evans. Edited and Presented by Melvyn Bragg. [online] Available from
http://www.youtube.com/watch?v=lfwUxQrDGqw
(Accessed 23-December-2013) 26-Dec-2013

Kennedy, B. (2002) “Director’s Foreword” in White, A. (ed.) (2002) Jackson Pollock’s Blue Poles. Canberra: National Gallery of Australia, pp. 9 – 11. 26-Dec-2013

Kinsman, J. (2003) Curator’s essay: afterimage: Screenprints of Andy Warhol. Canberra: National Gallery of Australia. [online] Available from http://nga.gov.au/warhol/Kinsman.cfm (Accessed 7-Feb-2014) 7-Feb-2014

Landau, E. (1989) Jackson Pollock. London: Thames & Hudson 26-Dec-2013

Lawrence Steigrad Fine Arts, ([n.d.]) LAURENS CRAEN [on line] Available from http://www.steigrad.com/LAURENS-CRAEN-Dutch-1646-between-1663-and-November-1670-Still-Life-Roemer-Surrounded-Vine-Tendrils-Pasglas-Pipe-Oranges-Pewter-Plate-Lemon-Tobacco-Brazier-and-Tapers-Draped-Table-DesktopDefault.aspx?tabid=6&tabindex=5&objectid=451645&categoryid=8956 (Accessed 11-Jan-2014) 13-Jan-2014

Leymarie, J. (1988) Georges Braque New York: Solomon R. Guggenheim Museum. 9-Feb-2014

Lichtenstein, R. ([n.d.]) Cited in Waldman, D. (1971) Roy Lichtenstein. London: Thames and Hudson, p. 28, Cited in Babington, J. (2012) Roy Lichtenstein: Pop remix. Canberra: NGA Publishing National Gallery of Australia, p. 29. 7-Feb-2014

Lichtenstein, R. (1967) in John Coplans, ‘Talking with Roy Lichtenstein’, Artforum, vol. 5, no. 9, May 1967, pp.34-9, p.34, Cited in National Gallery of Australia Catalogue ([n.d.]) Roy LICHTENSTEIN: Kitchen range [Kitchen stove] 1961-62 [online] Available at http://nga.gov.au/international/catalogue/Detail.cfm?IRN=115724
(Accessed 7-Feb-2014) 7-Feb-2014

Lichtenstein, R. (1995) ‘A review of my work since 1961 – a slide presentation’ lecture delivered 11 November 1995, Cited in Babington, J. (2012) Roy Lichtenstein: Pop remix. Canberra: NGA Publishing National Gallery of Australia, p. 47. 7-Feb-2014

Lucie-Smith, E. (2003) The Thames & Hudson Dictionary of Art Terms (New edition). London: Thames & Hudson. 7-Feb-2014

Maloon, T. (2010) Paths to abstraction 1867 – 1917 Sydney: Art Gallery of New South Wales 9-Feb-2014

Marschall, S (2008) “Zulu Heritage between Institutionalized Commemoration and Tourist Attraction” (Abstract) In Visual Anthropology (21, 3), 2008 (Abstract only online) Available from http://dx.doi.org/10.1080/08949460801986236 (Accessed 20-Oct-2013) 5-Jan-2014

McAuliffe, C. (2013) “America: Fascinating background to the works on show” in Look 12(13)/ 01(14) pp. 26-29. Sydney: Art Gallery Society of New South Wales. 27-Dec-2013

McAvera, B. (2001) “The Enigma of Henry Moore” in Sculpture Magazine 20 (6) [on-line] Available from www.sculpture.org/documents/scmag01/julaug01/moore/moore.shtml (Accessed 13-Dec-2013). 15-Dec-2013

McDonald, J. (2012) “In with the new” The Sydney Morning Herald 23-June-2012 [online] Available from http://www.smh.com.au/entertainment/art-and-design/in-with-the-new-20120621-20p1x.html (Accessed 6 July 2012) 27-Dec-2013

The Metropolitan Museum of Art (2006) “Pieter Claesz: Still Life with a Skull and a Writing Quill” (49.107) In Heilbrunn Timeline of Art History . New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works-of-art/49.107. (October 2006) (Accessed 11-Jan-2014) 11-Jan-2014

MoMa (The Museum of Modern Art) ([n.d.]) Jackson Pollock The She Wolf 1943 multimedia. [online] Available from www.moma.org/collection/object.php?object_id=78719 (Accessed 21-Dec-2013). 27-Dec-2013

Museum of Fine Arts Houston (2013) ANDRÉ DERAIN [online] Available from http://www.mfah.org/art/100-highlights/turning-road-lestaque/. (Accessed 6-Dec-2013) 8-Dec-2013.

Newman, B. ([n.d.]), quoted in Anfam, D. (1990) Abstract Expressionism. London: Thames & Hudson, p.77. 27-Dec-2013

Pollock, J. (1944), quoted in Anfam, D. (1990) Abstract Expressionism. London: Thames & Hudson, p. 87. 27-Dec-2013

Pollock, J. (1947) application for a Guggenheim fellowship, quoted in O’Connor, F. (1967) Jackson Pollock. New York: The Museum of Modern Art. [Excerpt online] Available from http://www9.georgetown.edu/faculty/irvinem/visualarts/Pollock-ArtStatements-1943-1947.pdf. (Accessed 24-Dec-2013) 26-Dec-2013

Pollock, J. (1949) Transcript of interview with William Wright Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution. [online] Available from http://www.aaa.si.edu/collections/container/viewer/Jackson-Pollock-Interview-by-William-Wright-285893 (Accessed 26-Dec-2013) 26-Dec-2013

RKD Artist Database [n.d.] [online] Available from http://explore.rkd.nl/nl/explore/artists/18936 (Accessed 12-Jan-2014) 13-Jan-2014

RKDImages [n.d.] [online] Available from http://explore.rkd.nl/nl/explore/images#filters[kunstenaar]=Craen%2C+Laurens (Accessed 12-Jan-2014) 13-Jan-2014

Rothko, M. ([n.d.] a), quoted in Anfam, D. (1990) Abstract Expressionism. London: Thames & Hudson, p. 184. 27-Dec-2013

Rothko, M. ([n.d.] b), quoted in McAuliffe, C. (2013) “America: Fascinating background to the works on show” in Look 12(13)/ 01(14) pp. 26-29. Sydney: Art Gallery Society of New South Wales. 27-Dec-2013

Rothko, M. and Gottlieb, A. (1943), quoted in Anfam, D. (1990) Abstract Expressionism. London: Thames & Hudson, p. 78. 27-Dec-2013

Schulz-Hoffman, C. (1988) “The Cubist Phase” In Leymarie, J. (1988) Georges Braque New York: Solomon R. Guggenheim Museum, pp. 19-24.9-Feb-2014

Shapiro, M. (1968) “The apples of Cézanne: An essay on the meaning of still-life” In Modern Art 19th and 20th centuries: selected papers: Meyer Shapiro New York: George Braziller [online] Available from www.ithaca.edu/faculty/wells/201/schapiro2.pdf (Accessed 25-Jan-2014) 30-Jan-2014

Spigler, J. (2009) “Making Matter Make Sense in Cézanne’s Still Lifes with Plaster Cupid” In Nineteenth-Century Art Worldwide: a journal of nineteenth-century visual culture. 8 (1) Spring 2009 [on-line] Available from www.19thc-artworldwide.org/spring09/55-spring09/spring09article/62–making-matter-make-sense-in-cezannes-still-lifes-with-plaster-cupid (Accessed 26-Jan-2014) 30-Jan-2014

Stoker, W (2008) “The Rothko Chapel Paintings and the ‘urgency of the transcendent experience’” In International Journal For Philosophy Of Religion, 64 (2), pp. 89-102, Academic Search Alumni Edition, EBSCOhost, viewed 10 January 2014. 11-Jan-2014

Temkin, A. (2010) speaking in From the Curator: Jackson Pollock [webcast, online] Filmed by Plowshares Media, The Museum of Modern Art www.moma.org/explore/multimedia/videos/127/683 (Accessed 23-December-2013) 26-Dec-2013

Thaw, E. (1986) “The Abstract Expressionists.” in The Metropolitan Museum of Art Bulletin, 44 (3) (Winter, 1986–87). [online] Available from www.metmuseum.org/pubs/bulletins/1/pdf/3258715.pdf.bannered.pdf (Accessed 25-December-2013) 26-Dec-2013; 27-Dec-2013

University of Iowa Museum of Art [n.d.] More about Mural [online] Available from uima.uiowa.edu/mural/ (Accessed 23-Dec-2012) 26-Dec-2013

van Gogh, V. (1885) Letter to Theo van Gogh. Nuenen, Sunday, 4 October 1885. [online] Available from http://vangoghletters.org/vg/letters/let533/letter.html (Accessed 19-Jan-2014). 20-Jan-2014

White, A. (2002) “Jackson Pollock’s Blue Poles” in White, A. (ed.) (2002) Jackson Pollock’s Blue Poles. Canberra: National Gallery of Australia. 26-Dec-2013


 

Part four: Portraiture and figure painting

Abbott, G. and Little, G. (1976) The respectable Sydney merchant: A.B. Spark of Tempe Sydney: Sydney University Press. 19-Mar-2014

Arnoldsche Art Publishers (2013) TECUMSEH, KEOKUK, BLACK HAWK (catalogue entry) [online] Available from www.arnoldsche.com/en/New-Books/TECUMSEH-KEOKUK-BLACK-HAWK.html#/16/ (Accessed 8-Mar-2014) 13-Mar-2014

Atlanta Botanical Garden (2009) Moore in America 8 May [online] Available from http://mooreinamerica.blogspot.com.au/ (Accessed 15-Jun-2014) 22-Jun-2014

Baker, M (1982) The History of the Cast Courts Victoria and Albert Museum [online] Available from http://www.vam.ac.uk/content/articles/t/the-cast-courts/ (Accessed 25-May-2014) 30-May-2014

Bambach, C. (2002) “Anatomy in the Renaissance”. In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. [online] Available from http://www.metmuseum.org/toah/hd/anat/hd_anat.htm (Accessed 26-Apr-2014) 28-Apr-2014

Bubenik, A. (2011) “Dürer and Rembrant: The relevance of Early Modern Self-Portraiture” In Portraiture/Self Portraiture/Identity: UQ Art Museum Learning Resource [Seminar] University of Queensland [online] Available from http://asset.artmuseum.uq.edu.au/interpretive-resources/UQAM-Learning-Resource-CPD-Portraiture-2011.pdf (Accessed 17-Apr-2014) 18-Apr-2014

Causey, A. (2010) “His darkened imagination: Henry Moore” in Tate Etc. 18 (Spring) [online] Available from http://www.tate.org.uk/context-comment/articles/his-darkened-imagination (Accessed 13-Jun-2014) 22-Jun-2014

Chilvers, I. (2009) Oxford dictionary of art & artists (revised fourth edition) Oxford: Oxford University Press. 8-Jun-2014

Clabburn, A. (1999) The art of Violet Teague: Education Kit. [Parkville, Vic.] : Ian Potter Museum of Art. (sheets unnumbered). 19-Mar-2014

Cohen, D. (1998) “Hill Arches 1973″ in Celebrating Moore: Works from the Collection of the Henry Moore Foundation edited by David Mitchinson, Henry Moore Foundation: University of California Press p. 305 22-Jun-2014

Darby, G. (1985) An iconographical study of E. L. Kirchner’s Three Bathers 1913 (Manuscript) Methodology Essay Fine Arts IV 1985 (University of Sydney) Typescript. 12-Jul-2014

Delaney, JJ ([n.d.]) Jean-Jacques Rousseau (1712—1778) Internet Encyclopedia of Philosophy [online] Available from http://www.iep.utm.edu/rousseau/ (Accessed 9-Mar-2014) 13-Mar-2014

Free, R. ([n.d.] “The First Acquisition”. Photocopy sighted in Art Gallery of New South Wales Research Library. Publication details not available. 12-Jul-2014

Gilmour, J. (2011) More cash than dash. Portrait: Magazine of Australian & International portraiture 41 (October – November 2011) [online] Available from http://www.portrait.gov.au/magazine/article.php?articleID=349 (Accessed 15-Mar-2014) 19-Mar-2014

Gordon, D. (1968) Ernst Ludwig Kirchner. Cambridge: Harvard University Press. 12-Jul-2014

Gordon, D. (1987) Expressionism: Art and Idea. New Haven: Yale University Press 12-Jul-2014

Hall, J. (2008) Dictionary of subjects and symbols in art. Boulder: Westview Press 12-Jul-2014

Harvard Art Museums (2014) “A Lesson in Looking” Harvard Art Museums blog 22-Apr-2014 [online] Available at http://magazine.harvardartmuseums.org/article/2014/04/22/lesson-looking (Accessed 24-May-2014) 30-May-2014

Henry Moore Foundation, ([n.d.]) Henry Moore Works in Public: United States of America: Moline [online] Available from http://www.henry-moore.org/works-in-public/world/united-states-of-america/moline/deere-company-world-headquarters/hill-arches-1973-lh-636 (Accessed 15-Jun-2014) 22-Jun-2014

Holmes, K. (1992) Diaries as Déshabillé? The diary of Una Falkiner: A careful dressing. Australian Feminist Studies 7 (16) [preview online] Preview available from http://www.tandfonline.com/doi/abs/10.1080/08164649.1992.9994660#.UydaNPmSzCZ (Accessed 14-Mar-2014). 19-Mar-2014

Honour, H. and Fleming, J. (2009) A World History of Art (revised 7th edition). London: Laurence King. 8-Jun-2014

Huber, S. and Machada, M. (2010) (T)races of Louis Agassiz: Photography, Body and Science, Yesterday and Today São Paulo: Capacete Entretenimentos 23-May-2014

Hyden, J. (1995) Henry: Hill arches [online] Available from https://artserve.anu.edu.au/raid1/student_projects/garden/hill/hill.html (Accessed 18-Jun-2014) 22-Jun-2014

Joel, A. (1998) Parade: The story of fashion in Australia Sydney: Harper Collins Publishers 19-Mar-2014

Jones, M., Craddock, P., Barker, N. (1990) Fake? The Art of Deception, London: BMP. Quoted on the British Museum website [online]. Available from http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?assetId=396999&objectId=8760&partId=1 (Accessed 18-May-2014) 23-May-2014

Kerr, J. (1988) “Views, visages, invisability: Themes in the Art of colonial New South Wales” In McDonald, P. and Pearce, B. (ed) (1988) The Artist and the Patron: Aspects of Colonial Art in New South Wales. Sydney: Art Gallery of New South Wales 19-Mar-2014

Knapman, G. (2010) The Pacificator: discovering the lost bust of George Augustus Robinson. The La Trobe Journal 86 (December), pp. 37 – 52. Available online at http://www.slv.vic.gov.au/latrobejournal/issue/latrobe-86/t1-g-t4.html (Accessed 8-March-2014) 13-Mar-2014; 30-May-2014

Lucie-Smith, E (1981) The Body: Images of the nude London: Thames and Hudson. 6-Jun-2014

Lyndall Ryan and Neil Smith, ‘Trugernanner (Truganini) (1812–1876)’, Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/trugernanner-truganini-4752/text7895, published in hardcopy 1976, accessed online 13 March 2014. 13-Mar-2014

Lynn, E (1984) “Nature versus humanity” in The Weekend Australian, 1-2 Sept, Surry Hills. 12-Jul-2014

Kornfeld, EW and Stauffer, CE (1992) Biography Ernst Ludwig Kirchner Kirchner Museum Davos [online] Available from http://www.kirchnermuseum.ch/data/media/downloads/Biography.pdf (Accessed 12-Jul-2014) 12-Jul-2014

Masters, C. (2011) “Margaret Olley obituary” The Guardian 26-Aug-2011 [online] Available from http://www.theguardian.com/artanddesign/2011/aug/25/margaret-olley-obituary (Accessed 19-Apr-2014) 20-Apr-2014

Maunder, P. (2011) “A colourful life, celebrated frame by frame” The Sydney Morning Herald 27-July-2011 [online] Available from http://www.smh.com.au/entertainment/art-and-design/a-colourful-life-celebrated-frame-by-frame-20110726-1hyhw.html (Accessed 20-Apr-2014) 20-Apr-2014

McAvera, J. (2001) “The Enigma of Henry Moore” in Sculpture Magazine 20 (6) July/August[online] Available from http://www.sculpture.org/documents/scmag01/julaug01/moore/moore.shtml (Accessed 20-Jun-2014) 22-Jun-2014

Metropolitan Museum of Art [n.d.] Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carreaux de Rosemond (died 1788): Adélaïde Labille-Guiard (French, Paris 1749–1803 Paris) [online] Available from http://www.metmuseum.org/Collections/search-the-collections/436840 (Accessed 17-Apr-2014) 18-Apr-2014

Miall, N. (2003) Kirchner: Expressionism and the city: An Introduction to the Exhibition for Teachers and Students Royal Academy of Arts [online] Available from https://static.royalacademy.org.uk/files/kirchner-student-guide-13.pdf (Accessed 29-Jun-2014) 12-Jul-2014

MoMA (2009) Ernst Ludwig Kirchner Street, Dresden Gallery Label Text. [online] Available from http://www.moma.org/collection/object.php?object_id=78426 (Accessed 29-Jun-2014) 12-Jul-2014

Morris, C. (2008) Lost Gardens of Sydney. Sydney: Historic Houses Trust of New South Wales 19-Mar-2014

Museum of Australian Democracy, [n.d.] Documenting a democracy: Aboriginal Lands Act 1995 (Tas) [online] Available from http://foundingdocs.gov.au/item-did-79-aid-7-pid-66.html (Accessed 13-Mar-2014) 13-Mar-2014

National Gallery of Art Washington (2001) Henry Moore: Abstraction and Surrealism: The 1930s [online] Available from https://www.nga.gov/exhibitions/moore1930.shtm (Accessed 20-Jun-2014) 22-Jun-2014

Nelson, R. (2011) “The Magic of Margaret Olley” The Age 29-Jul-2011 [online] Available from http://www.theage.com.au/victoria/the-magic-of-margaret-olley-20110728-1i20h.html (Accessed 19-Apr-2014) 20-Apr-2014

Neville, R. (1999) “Violet Teague’s Portraits” In Clark, J and Druce, F. (ed) (1999) Violet Teague 1872 – 1951. [Roseville, N.S.W.] : Beagle Press. 19-Mar-2014

Piekains, H. (2003) Sculpture Garden: Art in Landscape essay originally published in the National Gallery’s of Australia’s Building the Collection publication. [online] Available from http://www.nga.gov.au/sculpturegarden/essay.htm (Accessed 20-Jun-2014) 22-Jun-2014

Richardson, T (2007) “Henry Moore exhibition at Kew is a triumph” in The Telegraph 14-Sept [online] Available from http://www.telegraph.co.uk/gardening/3344503/Henry-Moore-exhibition-at-Kew-is-a-triumph.html (Accessed 15/6/2014) 22-Jun-2014

Robbins, GS ([nd]) Sleeping Venuses [online] Available from https://sites.google.com/site/sleepingvenuses/home (Accessed 7-Jun-2014) 8-Jun-2014

‘Robinson, George Augustus (1791–1866)’, Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/robinson-george-augustus-2596/text3565, published in hardcopy 1967, accessed online 13 March 2014. 13-Mar-2014

Royal Collection ([n.d.]) Artemisia Gentileschi (1593-1652/3): Self-portrait as the allegory of Painting (La Pittura) [online] Available from http://www.royalcollection.org.uk/eGallery/object.asp?maker=12024&object=405551&row=0&detail=about (Accessed 18-Apr-2014). 18-Apr-2014

Sandys, T. ([n.d.])Selling the Air – The Art of Juan Muñoz [online] Available from http://www.timsandys.com/essay_dissertation.htm (Accessed 13-Jun-2014) 13-Jun-2014

Saunders, G. (1989) The nude: A new perspective. London: The Herbert Press. 6-Jun-2014; 8-Jun-2014

Schimmel, P. (2000) ‘Juan Muñoz interviewed by Paul Schimmel’ September 18, 2000 in Benezra, N. and Viso, O. (2001) Juan Muñoz Chicago: University of Chicago Press [online] Available from http://press.uchicago.edu/Misc/Chicago/042901.html (Accessed 12-Jun-2014) 13-Jun-2014

The Irish Times (1929) Quoted in Fallon, D. (2013) Story of the statue in front of Sydney’s Queen Victoria Building [online] Available from http://www.insidehistory.com.au/2013/07/statue-of-queen-victoria/ (Accessed 13-Jun-2014) 13-Jun-2014

The Toledo Museum of Art, [n.d.] Catalogue entry [online] Available from http://www.google.com/culturalinstitute/asset-viewer/la-ville-de-paris/uQEJzCuAIO4mvQ?projectId=art-project (Accessed 7-Jul-2014) 12-Jul-2014

Thomas, D (1981) ‘Fizelle, Reginald Cecil Grahame (Rah) (1891–1964)’, Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/fizelle-reginald-cecil-grahame-rah-6185/text10629, published in hardcopy 1981, accessed online 10 June 2014. 13-Jun-2014

Thomas, J. (2011) Australian stories: Margaret Olley Australia.gov.au [online] Available from http://australia.gov.au/about-australia/australian-story/margaret-olley (Accessed 19-Apr-2014) 20-Apr-2014

Tweed Regional Gallery ([n.d.]) Margaret Olley Art Centre [online] Available from http://artgallery.tweed.nsw.gov.au/MargaretOlleyArtCentre (Accessed 19-Apr-2014) 20-Apr-2014

University of Queensland (2013) Sydney artist Nell wins $50,000 UQ National Artists’ Self-Portrait Prize [online] Available from http://www.uq.edu.au/news/article/2013/10/sydney-artist-nell-wins-50000-uq-national-artists-self-portrait-prize (Accessed 18-Apr-2014) 18-Apr-2014

Ure-Smith, J. (2011) “The man behind the monuments” in ft.com 19 August [online] Available from http://www.ft.com/intl/cms/s/2/8ea55ae0-c8bd-11e0-a2c8-00144feabdc0.html#axzz352mDRShU (Accessed 15-Jun-2014) 22-Jun-2014

van Gogh, V (1882) To Theo van Gogh. The Hague, on or about Friday, 21 April 1882. [online] Available from http://vangoghletters.org/vg/letters/let219/letter.html (Accessed 24-May-2014) 30-May-2014


 

Part five: Inside, outside

Art Gallery of New South Wales ([n.d.]) Collection: David Davies [online] Available from http://www.artgallery.nsw.gov.au/collection/works/OA15.1968/
(Accessed 31-Aug-2014) 31-Aug-2014

Astbury, L. (1985) City bushmen: the Heidleberg School and the rural mythology Oxford: Oxford University Press. 31-Aug-2014

Brindley & Maclennan, [n.d.] BIOGRAPHY: Gaston La Touche ~ 1854 – 1913 [online] Available from http://www.gastonlatouche.com/biography/ (Accessed 19-Jul-2014) 19-Jul-2014

Chilvers, I. (1990, 2012) Oxford dictionary of art & artists Oxford: Oxford University Press 28-Aug-2014

Clark, K. (1949) Landscape into art London: John Murray 14-Sep-2014

Cossington Smith, G (1979) quoted in ‘Grace Cossington Smith: The Lacquer Room’, Australian Eye: series 2, video recording, Film Australia, Lindfield, NSW & Art Gallery of New South Wales. Producer Malcolm Otton. Director David Muir. 24-Jul-2014

Dredge, P. (2013) “Colour and modern paint in the interwar decades” In Sydney Moderns: art for a new world, pp. 118-119. Sydney: Art Gallery of New South Wales 24-Jul-2014

Editor unknown, (1988) Gazette des Beaux Arts, Paris, June 1988, quoted in National Art Gallery of New South Wales catalogue, 1906 19-Jul-2014

Edwards, D (1999) ‘This vital flesh’: The sculpture of Rayner Hoff and his school. Sydney: Art Gallery of New South Wales 7-Sep-2014

Edwards, D. (2013) “Ultra-moderne: Implement blue and The Lacquer Room“: In Sydney Moderns: art for a new world, pp. 148-153. Sydney: Art Gallery of New South Wales 24-Jul-2014

Honour, H. and Fleming, J. (2009) A World History of Art (revised 7th edition). London: Laurence King. 28-Aug-2014, 14-Sep-2014, 21-Sep-2014

James, B. (2013) “Writing colour: from Mrs van Gogh to Grace Cossington Smith” In Sydney Moderns: art for a new world, pp. 34-37. Sydney: Art Gallery of New South Wales 24-Jul-2014

Kimberley Aviation ([n.d.]) Sacred Heart Church Beagle Bay Information flier available at church. 28-Aug-2014

Kitson, M. (1969) Introduction in Arts Council (1969) The Art of Claude Lorrain London: Arts Council of Great Britain 14-Sep-2014

MacGregor, N. (1994) Forward in Wine, H. (1994) Claude: The poetic landscape London: National Gallery Publications 14-Sep-2014

McNeil, P. (2013) “Thea Proctor: towards a stylish Australia” In In Sydney Moderns: art for a new world, pp. 98-103. Sydney: Art Gallery of New South Wales 24-Jul-2014

Miller, M. (2007) Claude Lorrain Landscape Drawings from the British Museum at the Clark [online] Available from http://www.berkshirefinearts.com/02-16-2007_claude-lorrain-landscape-drawings-from-the-british-museum-at-the-clark.htm (Accessed 14-Sept-2014) 14-Sep-2014

Mother Antonio O’Brien (1907) quoted in signage in Relationships Exhibition at the Old Convent, Sisters of St John of God Heritage Centre, Broome 28-Aug-2014

Spate, V. (1999) “If these dead stones could speak: Rayner Hoff’s sculptures and the ANZAC Memorial” in Edwards, D (1999) ‘This vital flesh’: The sculpture of Rayner Hoff and his school. Sydney: Art Gallery of New South Wales 7-Sep-2014

Splatt, W and Burton, B. (1973) 100 masterpieces of Australian painting Adelaide: Rigby 31-Aug-2014

Tabler, C. (1995) The landscape paintings of Antoine Vollon (1833-1900) [manuscript] : a catalogue and an analysis 21-Sep-2014

The Walters Art Museum, [n.d.] Gaston La Touche: The Arbor [online] Available from http://art.thewalters.org/detail/24883/the-arbor/ (Accessed 19-Jul-2014) 19-Jul-2014

Turner, J. (1996?) The Dictionary of Art Vol. 18, p. 835. Photocopy sighted in Research Library, Art Gallery of New South Wales. 19-Jul-2014


 

Research for final assignment

Biennale of Sydney (2014) “Jim Lambie” In You imagine what you desire: 19th biennale of Sydney Sydney: Biennale of Sydney Ltd. 15-Apr-2014

Bonin, C. (2012) “Between wall and paper: rethinking LeWitt’s wall drawings” In Haxthausen, CW (ed) (2012) Sol LeWitt: The well-tempered grid. Williamstown: Williams College Museum of Art, pp. 27 – 43. 6-Apr-2014

Bullock, N. (2014) “Sol LeWitt: An overview and a preview” In Look 0414 Sydney: Art Gallery Society of New South Wales, pp. 20 – 23. 6-Apr-2014

Fairbrother, T. (1992) “Sol LeWitt’s drawing and the art of ‘logical statement’” In Singer, S. (ed) (1992) Sol LeWitt drawings 1958 – 1992. The Hague: Haags Gemeentemuseum. 6-Apr-2014

Fuschs, R. (1992) “Sol LeWitt” In Singer, S. (ed) (1992) Sol LeWitt drawings 1958 – 1992. The Hague: Haags Gemeentemuseum. 6-Apr-2014

Haxthausen, CW (2012) “The well-tempered grid: On Sol LeWitt and Music” In Haxthausen, CW (ed) (2012) Sol LeWitt: The well-tempered grid. Williamstown: Williams College Museum of Art. 6-Apr-2014

Kaiser, FW (1992) “Drawing as notation – or just as drawing” In Singer, S. (ed) (1992) Sol LeWitt drawings 1958 – 1992. The Hague: Haags Gemeentemuseum. 6-Apr-2014

LeWitt, S. (1967) “Paragraphs on Conceptual Art” originally published in Artforum, June 1967. [online] Available from http://radicalart.info/concept/LeWitt/paragraphs.html (Accessed 22-Mar-2014). 6-Apr-2014

LeWitt, S. (1971) “Sentences on Conceptual Art” originally published in Art Now 3 (2), 1971. [online] Available from http://radicalart.info/concept/LeWitt/sentences.html (Accessed 23-Mar-2014). 6-Apr-2014

Limek, P. (2011) “Techno Colored: Jim Lambie at Goss-Michael” In D Magazine, May 4, 2011 [online] Available from http://www.antonkerngallery.com/system/press_pdfs/78/original/2011-05-04_D_Magazine_Lambie.pdf?1345756684 (Accessed 15-Apr-2014) 15-Apr-2014

National Galleries Scotland [n.d.] “Jim Lambie” [online] Available from http://www.nationalgalleries.org/collection/artists-a-z/L/15903/artist_name/Jim%20Lambie/record_id/2335 (Accessed 15-Apr-2014) 15-Apr-2014

Triming, L. (2003) “Jim Lambie: Low kick and hard bob” In Flash Art May, 2003 pp. 102 – 105. [online] Available from http://www.antonkerngallery.com/system/press_pdfs/83/original/2003-05_FlashArt_Lambie.pdf?1345757411 (Accessed 15-Apr-2014) 15-Apr-2014

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