Posts Tagged 'CA1-P1-P2-S6'

Stage 6 done

as much as it ever will be.

It’s not pretty (“breathtakingly awful” and “no redeeming qualities” are in my jotted notes), the process wasn’t pretty, the detritus in my work room isn’t pretty – but “done” sounds very pretty.

The yarn wrapping went smoothly. I’ve done lots of wrappings for weaving and it makes sense – expand in direct proportion to wind the warp. Weft and structure as well as sett, skill etc will have a big impact, but the wrapping gives a good general indication.

For stitching I’m not so sure – there are hugely more variables. Still the process was pleasant, I used a mix of made-en and bought-en yarns, and I was generally pleased with the result (although the mid-to-dark section looks a bit flat and dull).

On the left is the stitched end result – you can click on it for large if you really feel the need, but I’m not recommending it! The original photo is on the right.
What went wrong? I started at the top using some of the homemade yarns posted here and just didn’t like the look – colour, texture or shape.  I forced forward, then got to the foreground and started piling things on the fabric to build it up.

At this point I realised I was panicking and walked away for a while, reminded myself that texture and colour proportions were the point, definitely not reproducing an image and not something in deep 3D. The assignment asked for a sample, not a finished piece of work. What I had was just a pile of stuff plonked roughly in a circle. I pulled out the sketchbook and tried to draw lines and shapes that might balance the stitching a bit, treating it as a textured but flat design. Then I slept on it.

This afternoon I did battle again, and declare it enough.

What have I learnt? I already knew I have a long way to go with design, and with stitching if I make that part of my ongoing work, but I have been confirmed in that. The areas with tulle and silk tissue laid over the base fabric helped calm things down and give a place for the eye to rest. Couching with a strip of tulle over the “sewn snippets yarn” I made worked quite well. I don’t like working with strips of pantyhose and don’t like the effect I got from it. Almost the last things I did were the stem stitch around the border on the left, to unify and contain things a bit, and the couched bundle of threads (3-step machine zigzagged) that goes diagonally up from right to left and a few other places. I think both helped pull things together at least a little, although really it’s still just an ugly bunch of stuff.

Finally, my image editing software (gimp) has a colour value histogram function (which I found after all the palaver on values I went through). On the left is a comparison of the original photo and a photo of the stitching, which I think is a decent match.

Next steps are write a review of project 2, write a short reflective commentary on the whole assignment, and package everything up to post to my tutor. That will be my focus the next few evenings after the day job.

Stage 6 – Using threads & yarns to create texture

This stage has a few parts to it: experiment in making my own yarns; select a drawing looking at texture and colour effects/proportion; select yarns and threads and make a wrapping in the same proportion; work a sample.

I seem to have got a bit stuck so have decided to push on through, drawing various lines and saying “good enough”. So this post is progress to date and by the end of the weekend I will post the end.

Rather than using a drawing, I decided to work from a photo taken during my recent Western Australia trip. I’d been very conscious while travelling of building up a library of colour and texture photos in three categories – rust, botanical (especially bark) and rocks – and really wanted to start using them. So far I’ve created new sketchbook pages for rust and botanical.

Initially I looked for dark and intense colours, but couldn’t find a photo that fit – there was just too much light. Eventually I selected this photo of a salt lake near the town of Lake Grace. There is lots of texture, crunchy and jagged. There is also a range of colours, generally earthy (I cropped out the green fields at the top), and values. I thought it could be interesting to develop lots of textured layers with couching, so I planned to use my experimentation in creating yarns to build up a stash of candidates to be couched in the stitch sample.

The next step was figuring out what colours were in the photo, to direct the yarn creation. My first attempt using inktense pencils was disappointing but useful – there was much less yellow and orange than I first thought. I was much happier with my second attempt, shown in the thumbnail, which used water colour and a heavy structure gel.

Still not satisfied, I tried a computer auto-generated palette and manually picking colours to create a little bubble picture. By this stage I was perhaps losing the plot. I decided to investigate proportions – by putting a grid of 100 rectangles over the photo, selecting a “representative” colour from each, putting a rectangle of that in a new image, printing it out, cutting it up, rearranging the colours roughly by value, glueing them onto another page.

Perhaps time for a bad pun about losing and finding proportion. I eventually decided values were roughly 30% light; 30% light-to-mid; 30% mid-to-dark; 10% dark. I later found some functions in the software (gimp) that assist in this sort of analysis. On one hand I feel I need to trust my eyes to do this; on the other, the exercise was probably good training, and why not use the tools you have available? Draw line. Move on.

The next step was experimenting with creating yarns. Given the plan was to sample couching I didn’t have to worry about the practicalities of pulling my creations through fabric.

From top to bottom:

Row 1 – The plastic outer covering of an electrical cable. There’s an interesting ridged texture, but I don’t like the plastic look. Possibly cut into thinner strips it would be more usable.

Row 2 – one of the wires in the cable with parts of the plastic coating cut away to expose the wire. I like the bumps and flashes of colour achieved, but sharp ends scratching and catching got old quickly.

Row 3 – some tissue paper torn into strips then twisted using a spinning wheel. I was thinking of shifu – woven paper – and the work by Wang Lei , knitted “imperial robes” made with yarn spun from Chinese-English dictionaries, that I saw at White Rabbit Gallery earlier this year. Technique-wise I have work to do. For the current purpose I like the crunchiness and angles but the colours didn’t mix up as much as I hoped.

Row 3 – A number of fancy yarns stitched together on the machine. I have a beading foot, which helped keep things together and used a three step zigzag which makes the yarns separate in rather a nice, lively way. I was hoping lighter colours would calm down the pink more. Possibilities include overstitching some more (but losing texture) or possibly knocking back the colour by overlaying with an organza while stitching.

Photo 2, top to bottom.

Row 1 – A bundle of cotolin threads oversewn with (ordinary) zigzag. I was looking at the top part of the salt lake image which looks almost like a light pink stream, and trying to create a lightly textured, lightly coloured yarn. On its own it looks rather bland, but it could work well in the sample.

Row 2 – This was based on the bottom part of the salt lake image where there is a lot of colour variation in the rocky texture. I gathered a pile of snippets and offcuts in the colour range, then machine stitched them onto a strip of tulle. I was thinking of gorilla yarn, where you card a bunch of “stuff” together then spin a lumpy, colourful yarn. I ran out of time to do that and thought this could be a quick substitute. On its own it’s too bitsy, but I think this could work if integrated a bit better while couching, for example by couching with another strip of tulle, or overlaying with layers of tulle or organza before stitching.

Row 3 – cut up pantyhose. I tried to add some texture and interest with knots. It would be interesting to combine this with the stitched snippets idea of the previous sample.

Row 4 – A braid (12-Z-ridged-spiral) made with cotolin. I wanted to try this even though I thought it would be too formal in appearance for the particular application. My highly variable tension makes it less formal, but still not right for the sample. I got the instructions from Makiko Tada’s Comprehensive Treatise of Braids VI and would like to try mixing it up with the Braid-in-Braid idea, where an earlier braid is carried up the middle, then brought out and wrapped around every once in a while. Perhaps one could use individual yarns rather than a braid inside, and swap in and out colours, or try using textured yarns. I do like the way the colours work in the sample.

There were a couple of other little bits, but somehow they missed the photo shoot. Line. Move.

Next steps are the yarn wrapping and actual sample. It’s Friday evening and the clock is ticking.


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