Archive for the 'Jewellery' Category

Trial and error

… although all is trial and learning, nothing is error when playing ??

Sugar tong and resin

The sugar-tong-end earrings seen last week got new inserts. These started as sample p3-45 in the Mixed Media for Textiles course (23-Sep-2015), threads partially embedded in a thin sheet of resin.

Sample p3-45

It turns out this stuff is easy to cut, sand and drill, and as I noted back then the thread effect is particularly effective when backlit.

I wore the earrings in this form for a day, but they still looked like wearing spoons. Shortening the stem has helped, and this may well be the final version – although it’s a powerful realisation than anything can be taken apart and used as components elsewhere.

Sugar tong ends and resin – final version?

Agapanthus earrings

These agapanthus earrings aren’t going anywhere in this iteration. They’re based on a component in a proto-neckpiece done in Keith Lo Bue’s class (23-Apr-2017). They just look clumsy and lumpen. Less energy, less joy. The idea’s time will come, one day.

Finally a piece in progress. It’s a larger, hopefully refined version of a sample seen 23-Apr-2017. Almost all the material is in there. Now it’s a matter of finessing the form, doing a little more forging, and then major polishing. Hours of fun ahead 🙂

Cold forged and random woven steel in progress

Making and unmaking

After

Before

A potential joy of my current type of making is the unmaking. Who knew a redundant electricity meter had such interesting and very nicely made things in it? Most of it went into the stash for now, but a few components have been re-purposed…

New stand, reworked earrings

… into a new stand for earring photography.

Ceramic and steel earrings – previous version

The earrings shown have been seen previously (23-Apr-2017), and since then have received smaller jump rings and a good polishing. The details make a big difference.

Welded and random weave

Oddly, when I enrolled in Keith Lo Bue’s classes (also 23-Apr-2017) I was focused on learning more about the reo wire I was already using in random weave (the ongoing welded and woven piece) and other basketry projects, and to develop some comfort using found objects. It was a surprise to see the class signposted as “jewellery”. As luck would have it, I am a long term wearer and collector of dangly earrings, and earrings are a great subject for practicing my new skills. Happy days 🙂

Earlier sugar tong earrings

The next making is on-going. This started as the end sections of some sugar tongs (the handle section has been seen previously – yet again 23-Apr-2017). A long process – so a short photo essay. I’m still mulling over the final inserts – the photo looks better than life.

Next up some wire work, inspired by a spiral pendant by Alexander Calder (pictured here).

The version on the right is the basic form. The one on the left has been cold forged (so slightly more polished and faceted, catching some light) and the lower section twisted to enhance three dimensionality. A bit heavy, and neither is good enough to become jewellery – maybe tree ornaments. More practice needed, and perhaps a finer gauge wire.

Exhibitions
Briefly…
Textiles out of Context, Braemar Gallery Springwood
This was a varied exhibition, showcasing a wide variety of textile disciplines.

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Ellen King’s Etosha was inspired by her travels. Great expertise shown in this work, the felting, the intricate dyeing. I like the way imagery has been abstracted, such as the tracks of animals to a waterhole, and extending the work to include both wall-hanging and bowl.
Variation in technique, and so scale, creates interest in Jillian Culey’s piece. One of the aspects I appreciate about basketry techniques is the opportunity to play with shadow, giving depth and richness.

Saskia Everingham
Light Seeds

Saskia Everingham’s Light Seeds has an elegance and scale that attracted a lot of attention at the opening. The work was serene on its low plinth, with no evidence of the practical issues of how the lights were powered. It simply glowed.

Sadhana Peterson
By The Water Hole

The combination of ceramic and basketry techniques in this work felt unforced and fully integrated. Colours and lines complimented each other, creating a complex and satisfying whole.

Pam de Groot
Fully Charged

The bright colour and lively movement of Pam de Groot’s felt work brought a moment of joy.

The National 2017
This new biennial survey involves three major Sydney galleries and aims to present the latest in Australian art. In initial visits to AGNSW and MCA I was attracted to some works which used repetition and variation on a massive scale, underpinned by serious symbolism.

Yhonnie Scarce
Death Zephyr

Yonnie Scarce’s installation references the Maralinga atomic tests and the displacement of Aboriginal communities. The hand-blown glass forms, suggestive of people or bush food, move slightly in random air currents, gently clinking – so fragile, so precious.

A midden, sign of long residence of Aboriginal communities, in a bed of copper slag, sign of the mining and commercial activities given priority today, tainting and destroying the land. The “myths and methods of colonisation” (quoting from AGNSW signage) continue.

Other works that grabbed my attention claimed space, approaching an idea from multiple directions.

Found rubber, galvanised steel, and bark – all incised by Gunybi Ganambarr in intricate patterns based on sacred clan designs. Forms echo. A history of use and misuse of the land.

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Gary Carsley’s installation was complex and included sound and video. Signage at the MCA references the artist’s investigations of what he regards as the artifice of European-Australian culture. I’m still thinking about this, wondering how it fits or challenges my understanding of my own heritage. A quick internet search turned up the definition “clever or cunning devices or expedients, especially as used to trick or deceive others”. Is my culture more rapacious, more contrived, less valuable than any other culture? I don’t want to accept that, and I don’t think I would want to categorize another’s culture in that way. Deep, ongoing flaws – yes. Dreadful damage done to others – yes. Artifice? Artifice as the sum total or dominant element of a culture? No.

I was very taken with a mixed media installation by Nell at MCA. No photos yet.

There have been a couple of lectures, bits and pieces, but I think that brings me as close to up to date as I’m going to get.


Instagram

Fabulous figure sculpting workshop with Kassandra Bossell!

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