I’ve been working on this post a while now and it’s still not finished. I’ve been thinking about the future of craftsmanship and particularly handcrafts, the relationships between design and craft and designers and craftspeople, what authenticity means… .
Recently I posted here about a lecture given by Amanda Talbot at the Powerhouse Museum. Titled “Preserving the Past to Make Our Future Happen”, the blurb on the website points to the need to learn from the past, rediscover lost skills and secure the knowledge of “the final generation with specialist craft skills”. To me a lot of what she said was about opportunities for designers – to find and use crafts and craftspeople, to engage with consumers. This was as advertised, but not what I was looking for – which was more about craftspeople preserving skills and knowledge, and the challenges of making a living through their craft if that’s what they choose to do.
A couple of weeks ago at the Hand Weavers and Spinners Guild of NSW we had our first simulcast meeting, reaching out to members many kilometres from Sydney.
I love this photo – our President, Ann Beatty, in the foreground busy spindling while listening to committee member Ann Jackson (techo and spindle queen) introducing the new facilities.
This for me is the essence of preserving handcrafts – individuals building and passing on skills, learning and sharing, bringing in new ideas and materials but also valuing the traditional. People working with their own hands, creating, is the core. The object created is important. Good design is important. Building understanding and appreciation among consumers of handcrafted goods enriches the lives of those buying and those selling. Projects to provide opportunities and a market, to empower people or communities through trade – very worthy. Globalisation of production – I concede some points but there are issues.
Back to the Guild simulcast. It was very impressive. The smooth running is a testament to the effort and preparation of the organisers, who had tested connections, found alternatives, rehearsed presentations, addressed issues of privacy and copyright… The focus is on members who can’t get to meetings and potential members around the state – but for me an immediate benefit for the “locals” was having the detail of a demonstration displayed up on the screen. The main presentation was about Ravelry. While I’m a member I’ve explored very little of it, and it was really interesting to see some of the possibilities. I hope the distance participants found it a satisfying experience and that this venture continues.
A demo of Facebook was also planned, but didn’t go ahead partly on time but also with the comment – “there’s no point after looking at Ravelry. That is the future of social networking – linking people with shared interests.” Which brings me back on topic – if craftmanship is about people and my concerns about preserving and sharing skills – how fabulous is the internet? As well as Ravelry there’s weavolution and blogs and ventures like P2P2 and of course YouTube… Incredible rich resources.
I’m beginning to collect quite a few bits of discussion on developments in handcrafts and consumer perceptions and values. I haven’t done any conscious research yet, but suspect this will be an ongoing area of interest for me (and maybe others), so below am listing some of what I’ve found so far. There’s rather a lot and undigested – no conclusions – so you are warned!