Reimagined Memory

This post has been sitting in draft form for longer than I’d like. It’s changing, but I wouldn’t say improving. There are so many chains of thought, so many intentions. So much I’d like to say, but when I type it seems … overblown? underwhelming? And yet this piece is deeply satisfying to me. Words fail.


In general, too facts do not explain values. And in works of the poetic imagination, values bear the mark of such novelty that everything related to the past is lifeless beside them. All memory has to be reimagined. For we have in our memories micro-films that can only be read if they are lighted by the bright light of the imagination.

Gaston Bachelard The Poetics of Space

Bachelard has a poetic and beautiful response to memory. I have returned to this a few times while reflecting on memories of mum, new and renewed. In contrast, Bessel Van Der Kolk wrote of an experiment in The body keeps the score: “We deliberately tried to collect just isolated fragments of their experience – particular images, sounds, and feelings – rather than the entire story, because this is how trauma is experienced.” This darker perspective resonated with my recent jury experience – the conflicting and imperfect recollection of the various testimonies.

Could I show / explore that in clay?

Memory malleable, distorted, overlaid, mistaken, subverted, integrated, enriched.

Held

A few weeks after making this I was moved while reading Laura Marris’s “Atmospheric changes: on meteorology & Camus” (https://thepointmag.com/examined-life/atmospheric-changes-camus/). How do I filter enough to see without being overwhelmed? or too narrow? without skimming the surface? immerse without being lost?

It helped to hold this bowl. Here is a concrete thing that “memorialises” past thought. I love that it settles into the palm of my hand. Is held, stable. I sat, holding the bowl, mind wandering. More and more seeing distortions that somehow carry meaning. I sit with it, resisting ideas of where to go next.

Background

Memory hexagon

I wanted to return to and reimagine memories. A previous post shared some reading on the malleability of memory, the way we edit and reshape history in our recollection.

28-Oct-2021

Left overs of that cane were combined with the distorted end sections, then forced into the conformity of a hexagon. Imperfect mirroring over mismatched seams.

JCJ’s jug

Memories are overlaid, combined, misremembered. I used monoprinting with liquid clay to suggest this.

A faint flower, followed by a butterfly with some opaque black added to transparent red to darken and reduce transparency.

Further deepening and enriching the experiment, the paper stencils used were originally cut and used in a design on fabric for an OCA course.

26-Apr-2012

The imagery came from a family heirloom jug, and has already inspired other clay experiments.

31-Jul-2021

Glyph

I wanted to add more imagery, more layering of ideas. This time I turned to the glyphs I developed as part of my notebook practice. An infinity symbol was used for “memory”.

15-Oct-2019

Once again I was able to use existing and personal stencils.

22-Jan-2020

Recurring theme

I can’t recall (ho ho) if I’ve previously shared this page of related notes.

Finishing

Much of the liquid clay colour was lost in handling while I stretched and prepared the clay for baking.

Based on a suggestion from Ruth Hadlow I wanted to take advantage of the properties of clay to further suggest the changes of memory over time. I put the disc on clay on an improvised donut of foil, hoping for slumping and distortion in baking.

Fragments

Straight from my notebook, some further thoughts on the result:

  • violet liquid clay not visible
  • red visible, but pattern hard to see
  • blue – or actually, protected areas – visible but a lot of colour lost.
  • bottom surface rough from foil
  • doesn’t seem to have drooped in oven
  • no gloss on any of the liquid clay areas.
  • the form is satisfying. It sits well. It spins and wobbles when touched.
  • good to have cut thick and rolled out. Expanded motif size and get good variation.
  • Lost colour on back – didn’t allow long rest + impact of sitting on glass tile when rolling.
    -> ? focus on one side??
  • tried running water into / over it – as a bowl and as an umbrella. pretty. Different effects depending on rate of flow of water.
    –> ?? attempt an indoor water feature?

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