Archive for September 12th, 2019

Wirrimanu: Art from Balgo

This current exhibition at AGNSW fills a gallery with pulsating colour. I’ve visited a few times over the weeks. A print-maker friend gave some interesting insights, speculating on techniques that may have been used in some of the prints included in the exhibition. My mother found it fascinating, having met some of the artists included in the exhibition when she visited Balgo/Wirrimanu for two weeks in 2000. Mum knew a couple of people who were working there. At that time there were no scheduled flights in, just the weekly mail plane which serviced the area. Mum helped out in the school (she’d been a teacher prior to the arrival of all of us), and went on a series of excursions around the area.

I tried to practice some attentive looking, spending some time with Kinyu (1991) by Eubena Nampitjin.

Eubena Nampitjin
Kinyu (1991)

From my notes at the time (a couple of weeks ago).
Attracted by un-balance. ‘Ribcage’ of white lines. Strength and support. spindly uprights. Sliding top accentuated by clearer lines of yellow and white above.
‘Stop’ of green line at boundary of painting, pushing back. Almost an unfurling lower right, about to stretch up.
Bubbles of form give lightness and a spring to the work.
Then I wrote quite a lot of waffle about cultural appropriateness and appropriation.

The gallery signage gives a little biographical information, plus some standard art-speak description – “… delicate white traceries surrounded by pointillist fields of vivid yellow…”.

There are no great insights here. Not even a minor insight. I worked at giving my full attention. I tried to see what was in front of me. Flop. Frustrating. So this post is a bit of truth in non-advertising.

Another work in the exhibition is by the same artist, with the same title, painted around 16 years later.

Eubena Nampitjin
Kinyu (2007)

Finally some photos from mum’s trip. The colour is wonky, scanned from old prints.

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