Archive for August, 2019

Photographing shadows

Not many words today. I have some incomplete thoughts and reading on shadows and reflections, also the artist and viewer in the frame. Recent viewing of Rosslynd Piggott’s Tremor (12-Jul-2019); reading about Velázquez’s Las Meninas in Laura Cumming’s book The Vanishing Velázquez, about shadow in A Short History of the Shadow by Victor Stoichita, and its importance in photography and sculpture in The Original Copy: Photography of sculpture, 1839 to today. Trying to figure out what exactly is attracting my attention. So a little experiment, something that may or may not become a series. Take a photo of shadows, or a reflection. Then again, with me (or my shadow) in the frame. An un-selfie?





The first three were around the neighbourhood. The final one at the Museum of Contemporary Art, shadow provided by Matter Matters by Danie Mellor.

Plus another tower, trying for some deeper shadows and less fiddling in the software.

I’m off to Hobart soon, for another session with Ruth Hadlow and the group. It will be good to take a step back, plan some steps forward, and share some wonderful hours of talking and reading.

Experiments in materiality

The earlier Towers gifs (21-Jul, 22-Jul, and another 22-Jul) were jerky, with inconsistent and flat lighting. Barely adequate as documentation of the process, but not satisfying.

Time to experiment.

Step 1: To reduce the immediate recognisability of the crockery and to put more focus on the combined shape of the eventual tower, I sponge painted individual items with a mix of gesso and pva glue. It doesn’t stay on particularly well, but does reduce visual differences of materials and may get a tiny bit of “tip of the tongue” delayed recognition.

Step 2: Hoping to encourage some emotional intensity, I mended the crockery broken so far using the kintsugi-ish techniques learnt in a workshop with Naomi Taplin (7-Oct-2018). It makes more concrete the real risk in the towers. I used a lot of glue to make raised, scar-like weals. I also left some gaps and discontinuities.

I chose to use silver thinking of the importance of mirrors and the way they bring the viewer into the work in recent viewing/reading – the thin strip in Rosslynd Piggott’s Tremor (12-Jul-2019); the reflection in the mirror in Las Meninas by Velázquez (recent reading The Vanishing Velázquez by Laura Cumming); an observation by Briony Fer in Eva Hesse: Studiowork on the action of the reflection in the glass pastry cases used as display mechanisms by Hesse.

Step 3: As a further level of not-quite recognisable I tried casting a cup in other materials – wrapped then heat-shrunk plastic (based on sample p2-70 of the Mixed Media for Textiles course – 22-Jul-2015); and using composimold (sample p3-25, 6-Sep-2015).

Nowhere close to tip of the tongue, all sense of risk and fragility lost, and without the structure to work in a tower.

Materiality combination

Step 4: Wanting a more visually interesting result I tried side lighting, to get some shadows, curves, form.

At this stage I don’t think it can be classed as “energizing objects”, the originating brief to myself. Not quite good enough to be anything in particular.

Step 5: In a recent lecture at AGNSW Michael Hill expounded on the importance of shadows falling in photography of sculpture. He often chose older, black and white images of works in preference to modern, flat, colour photography. This weekend I downloaded the latest version of gimp, so I experimented with a new-to-me filter. Two versions based on the photo above.


I printed the variation on the right onto watercolour paper, slightly over A4. I think this has promise. Some more towers using different settings of the same filter:

Morning List

A list inspired by Georges Perec. Over recent months I have developed and honed a morning routine which costs a bit of sleep, requires some focus and dedication, and lets me lock in an hour of reading and reviewing every morning before I leave the house.

Click the image below to open the pdf.

I know that for some the idea of routine is stultifying, numbing to the brain and deadening creativity. To me it is a framework that carves out time and space, that gives me freedom. To me it looks like this:


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