Archive for September 24th, 2018

Design exercises

Encouraged by Claire at Tactual Textiles, I’ve been playing with some design exercises based on a book we both own. See Claire’s posts at https://tactualtextiles.wordpress.com/tag/design-experiments/. I see my approach as slightly different. Rather than building a resource to use directly, I’m hoping to train my eye to recognise and enhance potential, exciting things happening, when I am building sculpture in a playful and “instinctive” way. Muscle building exercises for instincts?

Rules are made to be broken, but so far I have two. First, use forms that have already captured my interest (particularly sculpturally) as a base. Second, make this primarily a physical exercise, not too computer-based (for muscle memory?).

So far my base forms have been sculpture play following the workshop with Matt Bromhead, incorporating a piece from Marion Gaemer’s class (4-Aug-2018), sketching based on that work (some seen 5-Aug-2018), and a painting by Rodchenko that excited me in the MoMA exhibition (15-Sep-2018).

Exercise 1 – splitting shapes
This started focused on one of the plaster bases, and only really came to life when I added vertical elements based on the wires in the sculpture. I had trouble getting enthused on this exercise, avoiding actual collage by moving the pieces around then taking a photo. I wanted to get my hands dirty.

Exercise 2 – Cutting stamps
This is meant to be 30 days of cutting stamps, with 30 stamps produced. I’ve made just three, and haven’t decided whether to continue.
First was in ezi carve, based on the black-covered wire form. Then string on cardboard for Rodchenko’s descending row of lines, and some looping in paper-covered wire mounted on cardboard from the sketch and my sculptural component making. They had been used before I thought to take a photo.

Attempts to print onto cartridge paper using acrylic ink were mixed. Some I used the stamps to stamp, some I used them more like a printing plate, putting cartridge paper on top and using a brayer.

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Then I got out the gelatin plate I made for OCA (first post way back – 7-Dec-2015! that thing has lasted well). Below is a selection of my favourites. The dark|light ones had the plate inked on one half. The stamp went into the inked side, then was “cleaned” by pressing it into the un-inked side.

Have I learnt anything so far? I’ve been reminded of things I done and enjoyed in the past. I’ve played, explored, made.

Good.


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