29 January 2017

A strong theme was apparent in this busy week.

Nude Live

David Mack, Marlo Benjamin and Rodin’s The Kiss. Photo: Pedro Greig

David Mack, Marlo Benjamin and Rodin’s The Kiss. Photo: Pedro Greig

This performance was a co-presentation by Art Gallery of New South Wales, Sydney Dance Company and Sydney Festival. Magical, moving – no word seems to describe the experience. Not so much the nudity, but being so close, sharing the space with the dancers.

The seven dancers moved around the exhibition space, performing in different combinations. The work is non-linear – you can’t possibly see it all as performances continue in different galleries. This made the experience more intimate and personal, choosing to stand or sit on the floor, to stay and watch or to move on to a different area.

Nearly nude drawing

Nearly Nude drawing at AGNSW

Nearly Nude drawing at AGNSW

I went to this drop-in activity at AGNSW with Ginette Wang. We bagged a couple of easels, collected the provided paper and pencils, and set to work. The group of artists grew – some skillful, others of us less so – entertaining the onlookers. A number of educators were moving around, and one encouraged me to find the dynamic line. Certainly something I’d like, but so far I can’t manage the editing needed.

nearly_nude01She was quite positive about my scribbling approach – fortunate, since I seemed to be stuck in that mode. I find life drawing absorbing, frustrating, and overall fun, and the party atmosphere was a buzz.

We left early to go to the next activity:

This was a talk and tour through the exhibition, as Jackie discussed the changing approaches and attitudes to nudity in art. We started with the historical and allegorical approach, the image of the ideal woman – an early photoshop, as Jackie put it. Then came a shift to the intimate, private – a genuine relationship. The model became recognisable, known, meeting our gaze. The body was seen with objectivity. Jackie Dunn made some interesting comments about de Kooning’s work. In the past I’ve only seen violence to women, but Jackie pointed out that violent paint is not equivalent to violence to women. Maybe they are strong to be out there. “Agency” was a key idea – the particular individual and her choices, her control. Cecily Brown’s work Trouble in Paradise, where instead of the nude composite female as the object of men’s desire, a woman’s own desire and sexuality is explored in paint.

Life drawing sketch club
The theme continued into Saturday morning, with my first experience of the local Life drawing sketch club. No tuition or materials provided, just an opportunity to work with a life model – on this occasion a young woman.

I prepared by revisiting chapter two of Daniela Brambilla’s Human Figure Drawing: Drawing gestures, postures and movements – Seeing Contours, and decided to focus on blind contour drawing.

The first few drawings, fast warm-up poses, were one or two awkward lines.

Moving to longer poses – 2 to 5 minutes – more started to appear on the page, with odd distortions particularly of feet and forearms for some reason. Although not “correct” I really like the quality of some of the lines. I was holding the charcoal, and later crayon, near the tip to give move control and a clear line, as recommended by Brambilla.

The poses got longer again, up to 20 minutes. I also started mixing in a few extra peeks at the page, so not-quite-blind contour drawing.


Again I like some of the lines, I’m beginning to get a feel for the body. This coming week I begin a class in Life Drawing, so I’ll be able to use later sessions of the Sketching Club as practice time.

There was more in the week than nudity.

Louise Hamby: Outcomes from makarrata: bringing the past into the future
Claire and I went to this fascinating exhibition talk. I wrote about the exhibition last year (4-Dec-2016), wondering about my standard mix of cynical and guilty attitude. Louise Hamby explained the meaning of makarrata in history and as used in 2016 when Yolngu men and women performed the dispute resolution ceremony with curators from Australian and international institutions.

The idea of a coming together using traditional forms of law is so positive. There’s a little more about it here. A statement of outcomes has been in preparation since, and apparently is close to distribution for signing by the various participants. During the talk it became apparent that for some years AGNSW and other institutions have worked closely with indigenous communities, visiting them or arranging visits to collections, building ties and understanding. An on-going story.

Silent World foundation
I was lucky enough to visit the private museum of Silent World. This remarkable collection has been created by two obsessive individuals, focused on maritime archaeology in Australia. Many treasures and curios, a wonderful resource that is shared generously with scholars. The Foundation also sponsors fieldwork, diving expeditions, and other projects in their area of interest. Inspiring.

Welded and random weave sculpture
Progress continues on the random weave over the welded frame from Paul Hopmeier’s workshop (22-Jan-2017). Still a long way to go, but I’m liking the way the three scales of line work together, plus some energy and different degrees of density of line.

welded_random_20170129

Altogether a busy week, and even more so when you add in work, exercise (need to build strength and general fitness if I’m going to continue welding), family, home … The big thing missing is reflection. So I’m still working through the review of the past 5 months, and that gap is a big ticket item for the future.

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