11 December 2016

A quiet week, with energy drained by an extra work day, oppressive weather, insert rationalisation here… Needs must, so I’ve been nurturing myself with some rest and recuperation time.

AGNSW – Drawing Rodin’s ‘The kiss’
This workshop felt very special – early entrance to the Nude exhibition, and over an hour’s concentrated drawing, sitting on our stools around The kiss.

Enjoyable in its way – but frustrating. The drawings all have their faults – for example the first much too upright, the last with a gumby-like bendy wrist/forearm. But that’s missing the point – or at least my point.

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In my Foundation plan (15-Sep-2016) the idea of life drawing was to develop skills in seeing form for sculpture. Instead I keep trying to make a picture of what I’m looking at. The result is boring, static, flat – but worse, no sense of energy or volume in space. My default drawing isn’t the sort of drawing I want to do.

Drawing exercise – Daniela Brambilla Human Figure Drawing: Drawing gestures, postures and movements.
Mentioned last week (4-Dec-2016), I think working hard following this book could be my answer – very directly in some parts (chapter 6 “Modelling” has exercises using plasticine as well as on paper). I’m still on chapter 1 (Gesture), which emphasises physical structure and actions in space, quick fluid lines, motion and energy. Plus lots of observation and lots and lots of practice.

A brief session in the food court one lunchtime was disappointing – need to consider opportunities when selecting a table. Croquis Cafe is too static – they are poses, not gestures. Contemporary dance seemed a good potential source – but all attempts “live” were dismal, the movement much too fast and varied. I started pausing the video, with a timer. First using HB pencil, 30 second limit per sketch, then black wax pastel and 45 seconds per sketch. Some better results, but not in the spirit of the instructions. A selection of results are shown below – there were many more.

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Done on just two days (but still averaging 1 per day!), my working is becoming more fluent, my decisions faster, more instinctive. I’m beginning to feel more comfortable with collage.

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9. Image from a card advertising the latest NGA exhibition, a painting by Carl Van Loo. Madame de Pompadour, the beautiful gardener, never lost her head,
10. but it seemed amusing to put it in her basket of choice items.
11. A short series combining dance and other flight.
12. The framework used by this Pierott suggested the structure of (circus?) stripes.
13. Reflections falling out of the frame.
14. Skywards with a mass flock.
15. A final combination of scraps on the workbench. It doesn’t work, but it feels like something is close.

Reading and reflecting
This week I’ve been reading Daybook: The journal of an artist by Anne Truitt. Quoting the back cover, “Renowned American artist Anne Truitt kept this illuminating and inspiring journal over a period of seven years, determined to come to terms with the forces that shaped her art and life”. After an overwhelmingly busy period Truitt started to feel less visible to herself, and decided to write in a journal each morning for a year.

I’m finding the journal inspiring, illuminating, some unexpected parallels in my own life and many differences. I’d like to become more visible to myself – my motivations and aspirations as an artist, what I can bring to my art. I’ve begun writing – actual writing, pen on paper. In the interests of keeping open to myself, this one part of my practice I’m keeping closed to the blog.


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December 2016

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