Throughout this Part of the course I’ve been doing little explorations with 3D printing, “drawing” and polymorph plastic. To me they all fit into Mixed Media and into Surface Distortion. Exploring some 3D design software reinforces this. It challenges me to think in three dimensions, to explore space. It could generate ideas that could be developed in many ways (like any sketchbook). The results may be able to be printed off and then incorporated directly in work or used as a mould.
The first software I’m working in is Meshmaker (free download from http://www.123dapp.com/meshmixer). With a couple of classes with MadMat and a few youtube tutorials under my belt, time to explore.
Sample p1-130
I started with a flat Plane, and used an Inflate brush to create some ridge lines. The response reminded me strongly of the earlier work with crumpled paper.

Sample p1-130a
I can change viewpoint to see the result from different angles.

Sample p1-130b
It’s bigger on my screen – some detail has been lost creating the screenshot.
I can zoom in.

Sample p1-130c
View c shows the triangles which make up the surface. More triangles will be added (like more creasing of the paper) if needed as the shape is pulled around, or if I add them with the Refine brush.
I can remove extraneous details of printbed, grid and faceting.

Sample p1-130d
Adding colour makes it a bit clearer.

Sample p1-130e
You can see how shadows change as I view the object from different heights and directions.
…
I crashed the program.
…
Which had auto-saved my lovely edge distortions! I still haven’t figured out how to get holes in the fabric.
The experimentation with different brushes and associated parameters got a little out of hand.

Sample p1-130g

Sample p1-130h
Some strange, diseased coral perhaps.
Sample p1-131
I started with a simple cylinder solid, which I shaded with a brassy looking finish, just because I discovered how to.

Sample p1-131a
Made it hollow and generated some holes. (Now I’d stopped trying!)

Sample p1-131b
Cut off the top.

Sample p1-131c
Next I tried to emboss some writing (embossing is another of the standard exercises)…

Sample p1-131d
… and on changing view discovered things aren’t always as they seem!

Sample p1-131e
Some quick un-do’s, and another attempt.

Sample p1-131f
Better???
Another go and it’s more what I originally planned…

Sample p1-131g
… and rather boring in comparison to the earlier surprises.

Sample p1-131h
A wobbly handle completes a dysfunctional mug.
Sample p1-132

Sample p1-132a
A fresh start with a simple solid.
Proportions are changed, and a mesh of tubes subtracted to create an open grid structure.

Sample p1-132b
The top surface is dragged in a spiral.

Sample p1-132c
I like the view from other angles – below and the side.

Sample p1-132d
I have an ongoing fascination with boundaries, the juxtaposition of order and chaos, the accommodations made at transition points.
Wanting to make more dramatic and dimensional changes, I used the Volume, Spike brush with a large size.

Sample p1-132e

Sample p1-132f

Sample p1-132g
From a number of angles the result is reminiscent of a bird in flight, very dynamic (and totally by chance).

Sample p1-132h
It is very pleasing that underneath the structure – the dna? – is still evident.
T1-MMT-P1-p6 Personal extension project: 3D design software
Textiles 1 – Mixed Media for Textiles
Part 1: Surface Distortion
Project 6: Personal extension: 3D design software
I love p1-131e. What a surprise! This is all very clever and way off on the horizon for me, but thanks for sharing successes AND surprising ‘mistakes’.
Hmm – thanks for making me look at that again. At the time I did it I just thought “whoa, that’s way off!”. Now I’m wondering if it’s a way to create secret messages.