Back here I posted this photo of the blanket on Nancy’s bed at the nursing home and speculated on the weave structure. I thought I’d try it out as part of my development in the final project.
Then I read this post by Noreen Crone-Findlay on her blog Tottie Talks Crafts. She has a super-fast way of putting on a short warp using s-hooks and has some detailed video tutorials, including doing leno (look around at her posts before and after the June one in the link above, as there is a series). Brilliant!
I don’t have that particular kind of loom but the same ideas could be used on almost any, I should think. I decided to try with my Robinson loom, seen here in a photo from February 2010 when I was working on Cacophony. The castle (the high structure that holds the shafts with levers to raise and lower warp ends) can easily be removed, as can the beater, leaving the basic frame with a mechanism for adjusting tension.
The closeup shows that as well as my shed stick I used a string and pin setup to keep the second shed. This is another idea from Noreen (here), using a knitting stitch saver instead of a kilt pin. I’ve attempted a slightly different version of continuous string heddles on a stick when playing with backstrap weaving, following instructions by Laverne Waddington (blog backstrapweaving.wordpress.com), but this slightly different form worked well here.
One of the beauties of Noreen’s warping method is that most of it could be improvised using stuff around the home or at the nearest hardware store – for example I used tent pegs for the metal bar supporting the s-hooks (the apron rod was too thick to use the hooks directly on it). Life is easier with a tensioning system, but Archie Brennan’s diagrams show how to manage that with copper pipe and a threaded rod (see his page http://brennan-maffei.com/Loom.htm and scroll down to the “small copper loom” diagram).
In a very short time this afternoon I had this little sample done. I chose a large, coarse string, thinking of the rough and impersonal treatment Nancy has experienced (not the nursing home particularly – the whole situation and sequence of events). It’s actually a single continuous piece of string, used for both warp and weft. There are various tension problems, but that seems to fit with the theme pretty well!
I’m really excited about the fast sampling this method offers, especially with a weaving project coming up in the OCA course. I think that’s tapestry and experimentation focused, so this could fit. Imagine unhooking a few areas of warp and doing some braiding, or crossing warp ends over to create diagonal elements. Possibilities!!!