P2P2 reveal (late)

First, my apologies to Meg and all the participants in P2P2  for being late – poor management of time and energy yesterday. I’m really sorry.

This is my finished project together with the calendar reproduction of a John Bellany painting. Read here about the story I based on the picture and the idea of a scarf that blended in with the colours of the sea. There’s gruesome detail about the weaving structure here.

After sampling a series of wefts, and totally ignoring my previous statement that wool and mohair were too fluffy and warm for this project, I chose Fine Kid Veloute from anny blatt, 51% wool, 49% mohair, in a lightish blue-grey. The colour was perfect, the grip gave some needed stability to the structure, and the fuzz reminded me of a light mist over the water in the morning. The combination of the viscose/cotton warp, wool/mohair weft and leno structure has produced a light, softly draping scarf that feels lovely to wear and, I think, fits the watery theme.

This photo shows the status of the second P2P2 project I hoped to finish, plus part of the reason for the delay. In the background (how appropriate!) is the warp beamed but not threaded. In the foreground is a folding table I’ve put up to hold some of the overflow of tools and materials for my OCA course. On my main worktable (definitely not shown!) are more tools and A Space (many exclamation marks) for using them. I’m having a blast working on the course, but naturally time, as well as space, is at a premium.

So this is what I planned (and still intend) to do. I’ve previously blogged about this sample here and here, and my reactions to the inspiration photo here.

The draft is on the right and will require rather a lot of imagination.

First, ignore the bottom part with the squares of floats. That’s from Sandra Rude’s article “fulled merino scarves” in The best of Weaver’s: Fabrics That Go Bump. I’ve wanted to make it in this yarn for ages, so figured a threading and wound a warp to suit both. The top part shows a plain weave base in white cashmere/merino. The yellow stripes, evenly spaced and regimented, are a supplementary warp in shiny gold that will weave plain weave along with the base. You can see a hint of such a stripe near the right edge in the sample photo. The pink threads in the draft are a supplementary warp using Filatura di Crosa Luce yarn, a 40% rayon, 30% cotton, 15% kid mohair, 10% polyamide, 5% acylic blend that can be seen the third wriggle from the left in the sample. It’s threaded in groups of 3 – 2 – 1 – 1 (right to left), so regularity of a sort, sometimes aligning with a gold stripe sometimes not, but bobbling around all over the place.

I don’t know how it will look in practice – I think there’s a strong possibility that it’s lots of ideas that don’t work together as a design. The ideas are – free spirited, feathery spots of colour and texture, fiercely and exultantly individual (the multicoloured supplementary warp and the trombone guy). The base cloth is plain weave, very sensible and stable in a quality, even luxury, yarn, with regular stripes (clock-like regularity??) of gold (stashed in a bank account??) – being various aspects or caricatures of swiss people, products and facilities. The individual is experiencing freedom, but is actually one of a group (the band in the parade), working within a structure and constraints (swiss society and caught in plain weave even if it floats above). It seems very ponderous when I type it out.

Many thanks to Cally for a great set of photos and to Meg for making it all happen. I’ve really enjoyed being part of P2P2.

6 Responses to “P2P2 reveal (late)”

  1. 1 Kaz September 2, 2011 at 7:34 pm

    Hi Judy. I love looking at your blog and your progress and experiments all the way. Your P2P2 adventures are great. I’ve really enjoyed it all too, and it’s a real excuse to think about our weave structures and ways of working. Lovely blues and transparencies in the first scarf.

  2. 2 Meg in Nelson September 2, 2011 at 7:43 pm

    A lot of thought going into the Swiss band picture, Judy! Wow. The scarf looks good on you. And as for the “course material” mess, I think most of us got some. My drawing class material is taking up more space in the stash room, and three years of drawing is now higher than the space under the bed.

    Good luck with your course, too.

  3. 3 Cally September 2, 2011 at 8:40 pm

    I love the Bellany-inspired scarf. As well as the waves, the flexing of the warp threads reminds me of the slightly crazy tilt of the cottage roofs by the harbour. And the Swiss band is going to be quite a riot… I hope you have a chance to complete it, coursework notwithstanding! It’s been a real privilege to follow your study of these images: thank you.

  1. 1 Review: Project 1 – Making marks « Fibres of Being Trackback on September 11, 2011 at 8:17 pm
  2. 2 A day in the life of looms « Fibres of Being Trackback on January 1, 2012 at 6:53 pm
  3. 3 Project 8 Stage 1 – Exploring the qualities of yarn « Fibres of Being Trackback on September 7, 2012 at 6:19 pm

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September 2011

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