My pics have arrived from Cally, so here’s a first look and initial thoughts:
Peacock feathers, coiled basket by Anna S. King – she writes “My baskets are allowed to be whatever they want to be; what you see is what you want to see.” There’s colour and patterning of feathers and basket, and King’s wonderful statement to ponder on.
This seems to be a framed work by Wendy Cuthbert (if I’ve read the signature correctly – couldn’t find anything on google). A great set of colours – think I could learn a lot by trying to work with that palette. At first sight I thought of tapestry with the strong patterning, but now I’m looking more at the use of scale and line and variations and repetitions of triangle/zigzag.
Barn owl, a photo by David Tipling in a national trust calendar. I find owls rather sinister for some reason. They look vicious and judging and ready to tear things apart. Not helped by going into wikipedia for some balance and finding “… known by many other names … eerie, silent flight: White Owl, Silver Owl, Demon Owl, Ghost Owl, Death Owl, Night Owl, Rat Owl…”. There is some very lovely patterning, on its back and also the window surround.
A parade or celebration? Exultant individuality, but such somber faces on some of the observers. Feathery texture and exciting pops of colour. The red and silver medusa mask back right, watching but not participating (at least right now). This is a fascinating photo. I’d love to know more of its story (hint, Cally?).
East Neuk by John Bellany, another calendar find and another great statement on his website: “I paint from my very soul and I want to move people to get inside their hearts.” I am very taken by this. I feel a fresh breeze on my face and a salty tang on my lips. There is such a sense of place and I feel a visitor, looking into other people’s lives. I love the blocks of colour and the colours themselves. Not a skerrick of an idea how to interpret it in weaving 🙂
This is a great set of pics Cally – thank you so much!